Monday, September 21, 2026

OUR SAVAGE ANATOMIES Origin Story: "Home Is Where The Howl Is"

I've mentioned already the events that led to the origin of OUR SAVAGE ANATOMIES, so now it's time for a treat. Those events led to me writing a short story for an antho call. I've mentioned how after writing the story, I realized if I wrote one more sentence after the ending, which in the short story is a true ending, I could run with these characters. I didn't know there would be a Jack Pandemonium or anything, but the seed was planted. Your treat...is the story itself, "Home Is Where the Howl Is," where we meet Rufus and Sasha and Mister E. in the mysterious town in Italy. 

I'll even add the line that I knew would trigger my brain to See Where It Goes (and the wild path it decided to take while getting there, haha) after the short story. 

An edited version of this story takes up the second and third chapters of the novel. 

Enjoy!


***

Home Is Where the Howl Is


    The crisp scent of burnt sunflowers threaded the light breeze, less an odor, more a signifier that another long, hot summer was reaching its end. Autumn, still circling the periphery, had yet to slip through the seams. It was an in-between time; a time when anything was possible. Rufus Skye sniffed the air and registered the acrid bite of olives, the potent aromas of rosemary, oregano, peppermint. West of Senigallia, where the Adriatic Sea lapped at white sand shores while beachcombers sat beneath rows of beige and blue umbrellas, a trace of salt still lingered in his nostrils.

    He’d wound his way through the labyrinthine roads that crisscrossed through the Marche region, many barely fitting the expected description. The roads dipped and sloped upward at precarious angles. He wondered how cars made it from one tiny village to another tiny village under such perilous conditions yet had seen a few driving faster than he imagined safe along his trek. He also wondered why the old crone who had pointed him in this direction had chosen such a wayward one, then realized, when one is heading for a destination that lacked a name, the path shouldn’t be easy, and, for all he knew, there would be nothing when he reached it; nothing but nothing in the middle of nowhere, Italy.

     Walking the dodgy roads was work, but he was used to the feel of the earth beneath his feet.

     The previous evening he’d slept beneath the stars, stretched out amidst dirt and weeds down an aisle of a vineyard, immersed within the burgeoning fragrance of young grapes reaching maturation. He’d taken a few into his mouth, suckled then squished them on his eager tongue, savoring the promise of sweetness, before spitting out the dregs. Almost ready to be plucked from the vines, mashed into wine, but not quite. He’d fallen asleep beneath a sheet of stars that shined deeper than what he was used to. He’d been mesmerized by the Milky Way, an imposing white brushstroke across the vast heavens, while insects cavorted across his naked arms and face, beetles and untroubled stink bugs and ants, so many ants; he minded not the least. As he succumbed to slumber, the dreamworld opened to him, the curtains of the unconscious pulled aside to permit wild, primal visions to frolic, as often happened the few days before a full moon filled the night and he was made to run, to rage.

     Today would lead to such a night. He only hoped to make it to his destination, the one not on any map, though villages masked in mirage made something that might seem already sketchy even more so, before the full moon turned him into something he detested.

     As he passed by Loretello, a village that corresponded to the crone’s directions as “near, but not quite there,” something glimmered to the north. Not far, but not close…but not far; distance was inconclusive, really.  Within the glimmer that drew the corner of his eye in its direction, another village smaller than even Loretello’s meager margins, took shape. As if the mirage were taking a deep breath, coming to life.

     As if he was meant to see it. The thought made his heartbeat quicken. He didn’t dare look away.

     The flow of time ticked sporadically, humidity drawing sweat from gasping pores. As with his dysfunctional cell phone—the crone had told him it would be useless once he neared his destination—the considerations of time as he knew it seemed out of sorts. The unnamed village grew larger as he approached yet seemed almost claustrophobic once he stepped through a sizeable, archaic entranceway. The doors towered twice as tall as a man, yet the wood seemed sturdy as if it had been constructed recently. The village was walled, great bricks surrounding the borders. The only path lead around a handful of old houses and boarded-up businesses and a steepled church that looked weary, yet as with the doors out front, there was a strength imbued in the structure. He walked toward a table at the edge of the spacious terrace that overlooked vast brown, ocher, and green fields. That’s when he noticed a copse of trees distinguished by a vibrant reddish hue like nothing he’d ever seen before. What made them stand out even more was that they were set dead center of a barren field, a perfect triangle.

     “Beautiful, eh?”

     Rufus turned toward the commentator. The man’s eyes were buried beneath the shadow of a leathery, well-worn hat the color of midnight. Darkness blended with darkness until the man tilted his head back and smiled, only to reveal sunglasses, another layer cloaking his features. Perhaps his intentions as well. Rufus was often made wary in situations such as these, conversations with strangers or just strangers taking notice of him. A conglomeration of deep folds dissected the lower half of the man’s face, black lightning holding up the upper half being eaten by an abyss.

     “The red trees or everything?” Rufus pulled back on the reins of paranoia which, in his case, was more like heightened awareness. There was a difference. It was the way he had to live.

     “Everything…and those red trees.”

     The man sat at the table across from Rufus, pulled out rolling papers and a bag of tobacco from inside a leather jacket that matched the hat in color, tone, mystery. Seemed Italians liked to roll their own, at least as far as he’d witnessed in the so far at the few caffe’s he’d frequented since he’d landed in Rome. As the man rolled the cigarette between his knobby fingers, he pulled his concentration from the process and back to Rufus.

     “Do you know what we call those trees?” He licked the tip of the cigarette, purely unfiltered, and struck a match against the metal grid of the table. Rufus was surprised to see the head erupt in flame, in fire.

     “I just got here. Still getting my bearings.” He smiled wanly, still on edge.

     “We call them the blood trees. The blood orchard.”

     “Blood trees? A blood orchard?” Sure, the red could be considered blood-like, but it seemed a bit much to Rufus. “Sounds rather grim to me.”

     A waitress scooted over to their table. Her hair was shorn to the scalp, black stubble caressing her otherwise smooth skull. Black on black slacks and blouse. Everything about her was panther sleek. Dark blue eyeliner circled eyes the color of a frozen sea. Her lips were thin, though the mouth was large and also trimmed in dark blue. The sun danced on those lips as she moved them and spoke to the man across from Rufus. He couldn’t make out what she said, his Italian meager at best, yet was quite sure it wasn’t Italian. With this observation, he thought it surprising the man spoke to him in English. Perhaps Rufus looked like a tourist. Perhaps he looked like a foreigner, like he didn’t belong here.

     Perhaps, despite perceptions otherwise and the underlying promise of something positive, he didn’t belong here.

     Perhaps it was all fantasy speculation for such a creature as him.

     The sun was moving swifter toward setting. He’d need answers sooner than later if he wanted to avoid a scene.

     Music started to play, filling the air with chords cast as moods, dark moods before twilight took over and dark skies would follow. Rufus nodded his head to the song, something thick and gothic with vocals that scraped deep into places one rarely explored. Type-O Negative in all their delightfully gloomy glory. What brought a rare smile was realizing the music was not coming from the caffe the waitress now entered, it emanated from the church adjacent to it.

     He turned to the man, to ask a question, but the man was a step ahead of him.

     “The rumors are true. What flows in your veins is what brought you here. To us.”

     Rufus internally questioned how the man could have any idea what flowed in his veins. If he did, he might scatter before moonrise. Of course, the sense in this thinking was instantly swatted away as one would any pest or aberrant train of thought. A man living in such an enigmatic place would know so much more than Rufus could imagine.

     Still, caution scooted around within the confines of his thoughts, even as he tried to embrace the possibilities.

     “Who is us? You and” --he thought it quirky, but he had to choose somebody, and since the waitress was heading toward them with two goblets of who-knows-what, she fit the bill—“her?”

     Rumbling laughter rose from deep within the man, exited his mouth past teeth too perfect for a person of his age. An indefinable age, sure, but all evidence suggested ancient wasn’t a bad guess.

     “Me. Her. Everybody who ends up here.”

     The waitress smiled, the piercing tips of her glistening canines longer than the norm, polished by the slowly setting sun. The light played on her features as well, something malleable, subtly twitching beneath her pleasing countenance.

    Rufus’s head grew light as the possibilities began to bloom all around him. The hush hush secrets hinted at in dark net grapevines and whispered down transient alleyways in metropolises made of steel and pain opened their arms to him.

     The man took a sip from his silver goblet. Rufus peered over the top of the one near him, noting a rich, red liquid. It was too cliché to think it blood, even under these less than cliché-ridden circumstances, so he leaned toward a no-frills Bloody Mary, though didn’t make any effort to taste it.

     “The blood orchard was born hundreds of years ago.”

     The man paused, removed his sunglasses to reveal eyes that made butterflies awaken within Rufus’s belly. Oil-stains filled the orbs, no white to trim the pupils, only swirling rainbows, before the man blinked once, twice, and an even more stunning quality appeared. The pupils were white and trimmed in black, a reversal of the familiar. Dimples somehow cut through the layer of lines at each corner of his mouth. His tongue flicked lightly along his chapped lips, the forked tips smoothing out the dry, dead pink skin.

     The man continued.

     “Those trees were nurtured with tears of blood.”

     Tears of blood? Was he implying the blood trees, those in the blood orchard, were born of actual blood?

     “Lacrime di sangue,” the waitress said, as she stared out toward the trees. Rufus was so taken by the man’s eyes, he hadn’t noticed the waitress had loitered back toward them. She steered her focus in Rufus’s direction, her features slightly different than he remembered thirty seconds prior. “You’re going to love what’s next.”

     Rufus thought that a curious statement until the man continued his tale.

     “Yes, those trees were nurtured by tears of blood. Vampire blood.”

     Vampire blood? Could Rufus be hearing this correctly?

     “To what purpose?” Uncertainty flitted around the tattered edges of rumor becoming fact.

     The man glanced up at the waitress. Rufus took both in, along with movement at the periphery, a sprinkling of small groups or couples in conversation, smiling and laughing. A vibe of unmitigated joy filtered through him, quashing the butterflies while enlightening everything he’d heard of this place. If it was true. If it was all true…

     But first, what of those trees?

     “Survival for our kind. Survival without having to murder—”

     “The humans,” the waitress interrupted, her ears taking in the story, but her eyes watching the sun set. Rufus did a quick glance behind to note the golden glow, as if the horizon were on fire. He swiftly turned back toward the man.

     “I’m not exactly sure what you are saying,” Rufus said, understanding how he felt when it came to murdering for survival—blood was needed; blood and flesh—having felt so alone for so long. He thought he was the only one cursed to exist as he did to feel anything approaching empathy, thought himself more a freak than he already was. A werewolf whose human conscience was the overriding force within him; well, almost overriding, a notch below survival instincts and the need to kill.

     “You understand, my friend. We feel as you do. We want as much to avoid the primal side of our instinct, at least when it comes to dealing with the humans. We get no pleasure out of killing, but we have to. Choice is banished when the ache becomes too much.”

     “At least, that’s how it used to be.” The waitress nodded as she said this. The man telling the tale looked up at her again. Rufus noted a smile rise out of the aged, fleshy cartography of his face, as if he were pleased about something Rufus could not make heads or tails out of. The waitress’s occasional interjections, or something more, something else.

     Rufus had to admit he felt himself as Sisyphus, shifting the weight to a reasonable place, one he felt might be lessening the more the odd tale revealed. He noticed the nametag pinned above the waitress’s left breast, red marker scribble designating her as Sasha. He liked the way the word rolled around on his mind’s tongue. He liked much of what was being revealed to him so far, yet his always-present suspicion disallowed him fully giving into what he was learning quite yet.

    “Throughout history, there have always been vampires, as well as other creatures who live in the shadows.” The man took another sip. Sasha folded her palms across her abdomen, attentive. “But before the fifteenth century, we had been a vile, sinister presence. Our role in history was lethal, our engagement with the humans wrought in blood and death.”

     “For the sake of survival,” Rufus said.

     “Yes,” Sasha said.

     “Change was needed, or at least desired by a few. Those who found our condition ne’er unbearable, preaching resistance to the call of our savage anatomies.” The old man reached for his goblet, fingers caressing the stem, but did not pick it up. “But they were met with opposition from those who relished what those savage anatomies demanded.”

     Rufus knew how hard it was for him, not even a vampire but one driven by the call of the full moon to completely bury his human aspect. He wondered, if what he was being told had foundation in the reality he lived in, how personal restraint was attained when, no matter his futile efforts, the full moon’s pull was irresistible. 

     “Years of battle ensued, neither side gaining ground.” The old man leaned forward and shook his head. Rufus could read in his strange eyes and the way he held his hand up to cradle his forehead, the man was not just telling a tale, but sifting through memories.

     “Shall I?” Sasha asked, calming hand to the old man’s shoulder.

     “Please.”

     “Eventually, those like us dwindled to a precious few and most of them were slaughtered out there by the others, in that field.”

     The old man put his hand on Sasha’s and sat up, sunglasses propped back atop the bridge of his nose, though Rufus found it unnecessary as darkness descended. He had a passing thought about vampires and sunlight, was set to ask how the old man and perhaps Sasha—perhaps everyone strolling on the terrace—seemed somehow untouched by the rays, casting shadows when there should be none. A rumor dispelled, while another took shape? What Rufus really wished was that they would hurry up with their odd tale, wondering how much was meant for him, since he was not a vampire.

     He felt it begin to itch beneath his skin. Everywhere beneath his skin. Bones, muscles, the corpuscles beginning to quicken their pace. He consciously slowed his breathing, tamped down what he could.

     “There is no way to explain what happened next beyond the details. Magic cannot be defined. It simply is. Perhaps the gods played a hand.” The old man had picked up the tale again as Sasha began to shuffle in place. The few other people meandering around the terrace seemed aware of something; Rufus realized it was the night they were all responding to as the old man continued: “As they died, those like us, their tears drenched the soil. Tears of blood. The long night fell into caterwauling revelry. Those determined to leave the status quo alone celebrated as if victory for all time had been attained, and initially that might have seemed a correct assumption.” The old man paused, drew in a breath, and said, “I can still remember the din. It rings in my ears even now.”

     Rufus was not surprised by the old man’s claim. He took his own deep breath, almost released a low growl. He could feel the moon’s persuasion deep within him. 

     “The vampires in that field perished overnight, perhaps fertilizer for what followed. Trees sprouted immediately, noticeable to the few like us who remained. We set fort within those trees, not knowing what would come next, until the call of what we were became too substantial to resist. At that moment, seemingly without provocation or a blade to puncture the woody flesh, one of the trees began to bleed. And I went to taste the red nectar.” His hesitant fingers gripped the stem of the goblet and raised it toward Rufus. “Blood. Sweeter and stronger than any other blood. Blood with a purpose. The blood orchard supplied us with an answer to what we had been searching for. Now, all vampires can live with the humans without the bloodlust corrupting the peace we seek.”

     “But what of—”

     But what of werewolves? The rumor had been simple: come to this place and you will be amongst those like you. All talk so far had been about vampires. What if he had been led to this place of vampires to be slaughtered for his differences; because he was a werewolf? 

     Rufus stood as his body trembled, fighting what he was.

     “Relax,” Sasha said, as she began to unbutton her blouse. A group of people to Rufus’s right shifted within their clothing and transformed into bats, the discarded material shushing to the cobblestoned surface of the terrace.

     “But I am not a vampire. I require more than simply blood.” Rufus felt hope, rarely considered in his life, slipping…

     “We know,” said the old man. “All men are hybrids. Only a sparse few are as we are, vampires, and as you are. Werewolf.”

     “How can you know what I am?”

      “Nobody comes here without a purpose. You did not come here of your own volition. You were driven to come here by what fills your heart. And, of course, secrets meant only for you. Only for those like you, though nobody is exactly like you, Rufus Skye.”

     No introductions had been made. The old man knew his name. Perhaps vampirism included mind-reading abilities. He would have to find out later.

     “But what am I supposed to do about—”

     His body started to shift, the change emanating from within. Hairs pricked his skin from beneath layers of epidermis and poked through. His nocturnal vision grew sharp, crystal clarity amidst the oncoming tide of night.

     “Relax,” Sasha said again, slipping out of her slacks. Her body was coated in dark brown fur that covered her whole human form.

     Relaxation had never been his way, though. Rufus fought against transformation. Yet, here he was, for the first time face-to-face with another who was a werewolf.

     “The blood from the trees is not just for vampires. Its power is for all the creatures who live as whispers upon wind and in shadows that rarely see light.” The man nudged the goblet in front of Rufus toward him. “Have a sip—”

     “Not yet,” Sasha said, as she stood upright on sturdy paws and sprinted toward the edge of the stone wall surrounding the terrace. “You won’t need to kill tonight. Follow me and we can join the rest of our brothers and sisters in the forest.”

     She held out her paw, an invitation Rufus was still hesitant to take.

     “Well, don’t take too long,” she said, as bones and cartilage crackled as her snout elongated, and she raised it to the moon. She howled, sprung onto the ledge, and leaped.

    Rufus was overwhelmed by the sensations, the conflict inside, as he ran to the ledge and leaned over, spotting Sasha a good five meters down as she dashed toward more familiar trees constituting a forest. Exuberant howls met his ears.

     “Go,” the old man said. “Go now, you’ll be fine for the night. Drink with me tomorrow. Remember, you are no longer alone.” A firm hand brought warmth to the fur shrouding his shoulder.  “You are one of us and we welcome you with open arms.”

     With that, his clothes shredded as he’d not removed them as Sasha had—fighting what he was, what he’d always fought against—his snout did as he’d witnessed Sasha’s had done, the final stage, yet this time he welcomed it and the howl that would follow as he moved toward the ledge…and swung himself over it.

     He landed firmly with a spring in his step, ready to run free of dread or trepidation for the first time ever.

***

There ya go. 
Now for the line that set it all in motion: 

"Despite all appearances to the contrary, it was the first and last night of true freedom Rufus Skye would ever know."

Join in the werewolf madness by pre-ordering OUR SAVAGE ANATOMIES:


Amazon  

Here's Rufus. Yes, he's looking at you. 





Monday, September 14, 2026

OUR SAVAGE ANATOMIES: Pre-Orders!

 The publication date for OUR SAVAGE ANATOMIES is September 26, 2026, but you can pre-order your copy now from Hybrid Sequence Media (you get a discount there) or from the usual suspects, like Amazon

Here's the lowdown: 

"Our Savage Anatomies is a road trip, a love story and a monstrous manipulation of vampire/werewolf politics with a brutal twist. Trigger warning...dark scenes with maximum damage and truly terrifying transformation that will change the way you think about lycanthropy. Buckle up!" –Sunni Ellis, author of One Hell of a Night in Mexico

From a mysterious village home to blood trees in the middle of Italy, to (beneath) the streets of North Beach in San Francisco, werewolves Rufus and Sasha set out to drag a vampire almost a thousand years old and set on annihilating humanity back to the village, where his brother will deal with his insane sibling. But time has altered all the participants, especially “the terrible one, the eternal one,” the vampiric force known as Jack Pandemonium. He is so much more than just a vampire, and he will not accept failure…

John Claude Smith’s Our Savage Anatomies brings death, a literal re-birth, gender shifting transformation (!), and tentacles (!!) into an atypical dive into the lore of the creatures of the night, with no guarantees if Pandemonium’s quest is successful that humanity will have a place in our world any longer.

“John Claude Smith has written a tour de force of a novella. A killer vampiric, lycanthropic tale with a hell of a bite. If you like ‘Underworld’, you’ll love ‘Our Savage Anatomies’.”

--John Paul Fitch, author of Diabolique 

“I very much enjoyed reading Our Savage Anatomies by John Claude Smith. It really hit the spot! A well-blended mix of horror, humor, romance, drama, and even gore, this book is a fun adventure, albeit a harrowing one. John Claude Smith refuses to serve his audience tropes without a twist, or tell a story they’ve already heard. He attempts to think outside of the box while regarding the world of the paranormal and supernatural, and I think almost every reader will find something interesting in his work. Don’t miss this one!”—Lindsey Beth Goddard, editor of WeirdWideWeb.org.

Cover Artist: Małgorzata Mika

Purchase your copy today. This is a wild werewolf ride you won't want to miss! 

OUR SAVAGE ANATOMIES: 

Hybrid Sequence Media 

Amazon 

Thank you! 


The next blog post? I'm working on ideas related to OUR SAVAGE ANATOMIES already. You'll see. 

;-)






Monday, September 7, 2026

Our Savage Anatomies #5: The Origin of the Beast, Part Three: The Mysterious Town in Italy

 ...just beyond Loretello, in the Marche region. 

Actually, the mysterious town is based on the layout of Loretello. 

Funny, there's nothing much going on in Loretello. It's small, you can walk through it in 5-10 minutes, depending on your pace. 

As noted in a previous blog post dealing with the origins of my 42000-word novel/novella, OUR SAVAGE ANATOMIES, the inspiration for the first words was just outside of Loretello, where in 2021 while visiting a friend, I ran into a field of late summer burnt sunflowers. I swear I have photos of them, but since I cannot find them, you get two photos from a couple years after that encounter (courtesy of Alessandra), when the field was once again full of sunflowers and, hey, in the first photo, in the distance, you can see the blood trees!  At least in the novel/novella, that's what they are. 





At the end of August this year, we spent a week in the region again. I snapped a few more photos pertinent to the novel. The first one is of a vineyard, which served as the sleeping place for Rufus Skye, our wayward werewolf in search of peace of mind. 



In these two photos we are inside Loretello and have the terrace, sans the metal table that was there when I first saw it, where Rufus and Mister E. converse about blood trees and fates being aligned. This is also where Rufus meets Sasha, his love interest, though there time together is brief. 
Also: making another appearance, the blood trees! 

The second photo is of the church that plays a huge role in the finale. It is on the right, next to a bar that is, yes, underneath stairs. Weird set-up, but hey, limited space means you do what you must.  

Notice there's nobody around. There are times we've been there when it's questionable whether anybody lives there. Ahem! 



I find it quite curious how inspiration works. Honestly, the town is barely a blip and might not even show up on most maps, yet being there in 2021, something was lit within my writer's brain...and I ran with it; okay, I wrote the short story, "Home is Where the Howl Is" (which looks like it will be a special treat for those who pre-order OUR SAVAGE ANATOMIES, which will be up for pre-order any day now), and as I've mentioned already, I realized after completing that tale, if I added one sentence to the end I could run with it, as I did. 

Anyway, inspiration. A curious beast. Yet, I find the world infinitely inspiring. What might seem like nothing can lead to 42000 words and make me shake my head and smile like a madman as I'm writing it. 

We (Hybrid Sequence Media and yours truly) should have pre-orders soon. You are going to love this one if you like off-the-wall horror that throws a wrench at the tropes.  

There ya go. Whipped this together just to get some photos your way and, of course, to pique your interest even more. I expect the next blog post might be for the pre-orders. That's when every one of you purchases a copy or ten and...and...

;-)






Sunday, August 23, 2026

Our Savage Anatomies #4: The Origin of the Beast, Part Two: My Weird Writer's Brain...

It all started with...Downton Abbey. 

WTF?

You read that right. 

It's late July/early August, 2021. My girlfriend Alessandra is a big fan of period piece dramas. She informed me we should watch the Downton Abbey series. It's not my usual cuppa, but I'm game. 

I enjoyed the series, but at one point in the latter seasons, I told her I could picture this in a horror vein, the upper-class being vampires, the help being werewolves, and some variation of the regular townsfolk as zombies. I even mapped out the dowager as a mutant blob of sorts overseeing everything. Nothing too original, I'm sure there's been plenty of novels/short stories that have taken this setting and added blood and monsters. I wrote a page or two of notes, just for fun, then set them aside, never really expecting to do anything with them. 

But the seeds were planted. My brain had werewolves on the mind...and it really wanted to play in the world they occupied. Something out of character for me, sure--I rarely deal with familiar horror tropes--but this time...this time I was nudged to dive in. Or perhaps shoved in might be more appropriate. 

Those seeds blossomed into OUR SAVAGE ANATOMIES when we made our way to visit a friend in the Marche region of Italy, near a small town called Loretello. I wrote about it in my previous blog post; you'll want to check that out.

This post is as much about how the writer's brain works. My weird writer's brain, at least. 

Though most big writing projects are somewhat mapped out or, at the very least, on my radar, on occasion I have noticed after I've started a big project how the seeds had been planted weeks or months before, even without my consciously knowing as much. These are the surprise projects, the gifts the Muse gives you and it's up to you to run with them, as with OSA.

What do I mean?

Here's an example:

I remember a couple years ago waking up from a violent, sex-drenched dream and thinking, what the fuck was that? At one point within that dream, as I am telling my brother about the dream in glorious, graphic detail (yeah, dream within a dream craziness, thanks Poe), my brother said to me, I want to read this. I was flabbergasted. I mentioned it to another person later in the dream and that person said the same thing: I want to read this. I told Alessandra about the dream and what the others said and how I wanted nothing to do with this horrible scenario...when she saw things differently. 

It's 4:30 in the morning, John. Go! Write those notes! 

I wrote a page of notes and got back to bed. I wondered as I lay there why I had thought up such a brutal dream. I have written rough stuff, have no fear about 'going there' if the story needed it, but this...this was not where I mentally was. 

Or was it? 

That's when I remembered I'd recently finished reading Charlene Elsby's Violent Faculties, a no holds barred psycho-sexual nightmare of a novel that Does Not Flinch. Sexual violence was prevalent, all within an academic setting. It's an excellent novel for those who can handle this kind of thing.

The sexual violence of that novel had planted the seed for what eventual became my novella, Souls At Zero. Yet, I did not realize this until the words were staring me in the face, laughing at me...and I was hooked on finding out where it all went. 

Just as with Downton Abby, of all things, and how thinking about werewolves and vampires and the mutant blob that was the dowager, easily the seed of mutant vampire, Jack Pandemonium, led to my writing OUR SAVAGE ANATOMIES.

The writer's mind is a strange thing, my friends. The writers already know this, of course.


Anyway, the next blog post will include photos from the Marche region, and Loretello, as Alessandra and I are headed that way for a necessary break from the chaos of the world. 

Here's Rufus, the lead werewolf from OUR SAVAGE ANATOMIES, perhaps giving me a side-eye at all this nonsense. 

;-)



Monday, August 10, 2026

Our Savage Anatomies #3: The Origin of the Beast, Part One

 OUR SAVAGE ANATOMIES is my forthcoming 42,000-word short novel/long novella/does it really matter? to be published by Hybrid Sequence Media. 

The humble origins of the strange beast began in Italy. 

My girlfriend Alessandra and I were invited to stay at our friend Michaela's place in the Marche region, in the middle of Italy leaning eastward, August of 2021. Alessandra and I needed the break, so we took her up on it. Michaela had a large spare bedroom more like a small studio apartment, which was all we needed. Upon getting to her place after the long drive, we needed to stretch our legs. We walked up a tiny slope and, lo and behold, there was a massive field of late summer sunflowers. Burnt sunflowers. It was stunning.

At about the same time, there was an anthology call I was interested in writing for titled, Hybrid: Misfits, Monsters, and Other Phenomena, from Hybrid Sequence Media. I was not sure why, because I am not a horror writer who focuses on familiar tropes, but with that field as a starting point, and with the addition of more of the landscape--a triangle of red trees in the distance; Loretello, a small town more a village--the all-around vibe inspired by everything led me to...werewolves? 

Really, John Claude? 

I'd just completed another novel, Birdland (or Odd Blue; I'm doing a deep edit on it right now and am thinking Odd Blue might be a more appropriate title, Odd Blue being a creature from another dimension set on destroying the world...), a big, serious affair, and needed a mental break of sorts. I expected the short story for the antho call would suffice, but after writing, "Home Is Where the Howl Is," the reader's introduction to Rufus Skye and Sasha, two werewolves meeting under curious circumstances, and the mysterious Mister E, a vampire, I remember saying to Alessandra, "Y'know, I could run with this by adding one sentence at the end of the story." I let that thought marinate yet already knew something was up. 

I wrote that extra sentence...and OUR SAVAGE ANATOMIES was born. The mutant king of the vampires, Jack Pandemonium, was born. As I was writing the novel/novella, everything and the kitchen sink was tossed into the mix. Everything! I would blurt out something to Alessandra about what was happening now in the tale, something utterly bizarre, totally off the rails, and I'm sure she was thinking, "He really is crazy. My boyfriend really is crazy." 

And that's where we are now. The first step toward introducing everybody to these characters and the mad ride that is OUR SAVAGE ANATOMIES. 

I even had my friend and excellent writer, Sunni Ellis (author of the fabulous Once Upon A Time In Mexico, "a rollicking, fully immersive wild west romp") read the novel/novella and in response, she said nice things and even wrote a blurb. Here's that blurb, to pique your interest even more: 

"Our Savage Anatomies is a road trip, a love story and a monstrous manipulation of vampire/werewolf politics with a brutal twist. Trigger warning...dark scenes with maximum damage and truly terrifying transformation that will change the way you think about lycanthropy. Buckle up!"

I'll post some photos from Loretello in a few weeks as Alessandra and I will be visiting our friend again at the end of the month. Can't wait to get there, that place is inspiring. 

(I actually started a metafiction take on the novel and area a while back, maybe I'll dig into that, too.)

Anyway, that's it for this blog post. The next one will include more of the seeds of where OUR SAVAGE ANATOMIES came from...including the, um...Downton Abbey connection. 

What the...?

You'll see. 



Pre-orders soon, but until then, hey, I've got other books you should check out...

BUY A BOOK (with links to books):

my Bram Stoker Award finalist debut novel, RIDING THE CENTIPEDE, my second, trippy horror novel, THE WILDERNESS WITHIN, and/or the expanded version of my second collection, containing 25 stories culled from that collection, all of my third collection, Occasional Beasts, and half of my debut collection, The Dark is Light Enough for Me, AUTUMN IN THE ABYSS REDUX

Happy reading!

 

Friday, July 31, 2026

Our Savage Anatomies #2: Cover Art Info

 You may have seen the lovely cover art already, but the process of getting it to the final stage was interesting, to say the least. 

The first version of the cover art for OUR SAVAGE ANATOMIES was a sketch. It showed much of what the final version features, except for Sasha. She was dressed for battle and had long, luxurious hair. 

Ahem!

The human form of Sasha from the book has hair trimmed almost down to stubble. 

The publisher informed the artist, Małgorzata Mika, of this detail. Shortly thereafter, we got the follow-up version...which featured Sasha as you see her now, but she was...naked. Naked and furry, of course! Sasha in full-on werewolf form. I liked this much better, but there were some questions that we had to address. I went back and forth with the publisher about perceptions in the world we live in today, and how either both characters needed to be naked, down to their furry selves, or they both needed clothing. The publisher dug Rufus's gear from the get-go, as did I, so I knew we'd leave him as he was. A couple more variations of clothes for Sasha were tried until we came up with Sasha in the dark blue dress, which works for me. There's an attitude she flaunts, and I believe her look and pose fits the attitude. 

How about the rest of the cover?

To the right we have the mysterious village with no name, set in the Marche region of Italy, just beyond another real-life tiny village called Loretello, which was the template for the mysterious village. I will show you what I mean in a future post as at the end of August, my girlfriend Alessandra and I will be staying at our friend Micheala's place...in the Marche region...a short walk from Loretallo. There will be photos highlighting some of the key elements in Loretello I used for the mysterious village in the novel.  

To the left we have the Golden Gate bridge, meaning San Francisco, which is the home to the infamous mutant vampire, Jack Pandemonium. (Oh, you're going to love him!)

Dead center, down the road from Rufus and Sasha, we have the blood trees, a triangle of trees that the werewolves and vampires and any other creatures of the night feed from if they don't want to give in to their primal instincts...and becoming killing machines. 

Dig the colors, the abundant details--all of it. This is one full-bodied cover! 

Małgorzata Mika did a fantastic job, eh? 

I think so. 

Here it is: 




Next? How in the world did I, a writer of weird fiction, end up veering into the realm of werewolves and vampires? Amusing stuff, you'll see. 


For those of you who need a fiction fix before the release of OUR SAVAGE ANATOMIES, you can check out my Bram Stoker Award finalist debut novel, RIDING THE CENTIPEDE, my second, trippy horror novel, THE WILDERNESS WITHIN, and/or the expanded version of my second collection, containing 25 stories culled from that collection, all of my third collection, Occasional Beasts, and half of my debut collection, The Dark is Light Enough for Me, AUTUMN IN THE ABYSS REDUX

Happy reading! 

Monday, July 20, 2026

Our Savage Anatomies #1: Final Edits Info

We wrapped up editing on OUR SAVAGE ANATOMIES last week. Thank the gods, I tell ya. 

That was work! 

Some pieces require minimal editing. Some require...much more. With OSA, I felt it was in great shape when I turned it in to Donald Armfield at Hybrid Sequence Media. It was...but needed cleaning up and some tightening up, which required the much more work mentioned above.

When I wrote OSA, it was right after I'd completed a hardcore, intense novel called Birdland. That one wrung out my brain. It's one of the best things I've ever written and I hope to find it a home sooner than later. That said, my brain needed a break. I needed something perhaps lighter to follow-up Birdland. I'll get to the details and events that went into the creation of OSA over the next couple of months in blog posts--there's a lot of amusing details, trust me--but for now the point is, I needed that break and rolled with something I rarely explore: the more familiar tropes of werewolves and vampires, though from an atypical perspective, as you will see.  

The novel was written fast and loose. The process was just to be open to whatever wanted to be a part of the story. I threw in the kitchen sink, the piping beneath said sink, the hair stuck in the pipes...everything. 

That is why, with the editing process, though I thought it good where it was, that fast and loose mindset required clarification and the already mentioned cleaning up...along with some of the usual editing elements. 

So, it was work, all for the greater good. For the story.

It made me step back and look at some other long pieces. As I waited for the next batch of edits from the editor/publisher, I dug into other long pieces, keeping my editing chops in high gear. I reedited three novellas: The Ouroboros Ballads, which required a fair amount of cleaning up; Souls at Zero, that required barely anything but minor tweaks (I knew this before I started the reediting for that one as it's perhaps the cleanest piece of long fiction I've written, though right now I've started a re-read and possible edit of a novel called Mother Chaos that I've spotted no edits needed so far, so perhaps I do know what I am doing); and The Great God Pollock, the latest completed novella, one that was probably just going to get another edit anyway, but with the mindset locked in hardcore, yeah, that one didn't require much editing, but is much sharper now. 

Point being, editing OSA kicked my writer's brain into top editing mode and I love being there again, seeing everything with crystal clarity and snipping away without hesitation, haha... 

So, that's my brief update, with more news about my upcoming 46000-word novel/novella/whatever soon. Excuse me, my 42000-word novel/novella/whatever; editing chopped off almost 4000 words!

Over the next couple of months until release day (September 26. 2026), I'll blog details and more about OUR SAVAGE ANATOMIES, to pique your interest so perhaps you'll pick up a copy and go along for one wild ride! 

There's a lot on the way! 


This art comes courtesy of Zhou Song.