Thursday, June 18, 2015

Riding The Centipede: A Little Bit About Its Humble Origins...

It's not the novel I thought I was going to write. That much I know.  That's probably all I know.

It started with a rejection. Yes, the rejection of another novel triggered two things: first, to reevaluate what the publisher publishes and realize in my research that Autumn in the Abyss would be a more appropriate fit--yes, so now you know the publisher in question is Omnium Gatherum--and secondly, how to follow-up with a novel that might work for OG.  A comment in the feedback for the rejected novel, something to the effect of, "it's a bit straightforward," made me say out loud, "Oh, yeah?  I'll show you straightforward," which, of course, is meant in the opposite here.  And, of course, "straightforward" is a perceptual thing as I don't see the novel as straighforward... 

Anyway, now for the short version of how Riding the Centipede came into being, because I could go on and on and perhaps with interviews or what-have-you that may or may not follow, I can get into more details.  Even later blogs.  But for now, short and sweet.

On my yearly-until-my-Italian-girlfriend-and-I-are-permanently-together-summer-visit-to-Rome, I usually want to dig into a big writing project.  But I had no idea what it would be.  I rarely do, actually, and simply let the ideas flow. I remembered a page and a half of something I had written a few months earlier with a couple guys heading out to hook up with William S. Burroughs, who's not dead, and they do a deal where they inject their blood into him and it incubates in Burroughs for a couple hours, then they draw it out and shoot up and it all turns kinda wild and hallucinatory.  Yes, this is the kind of stuff I think about. 

Why not take this idea and see where it goes?

But I needed more well-defined characters and the hows and whys of the tale.  I started mulling over it all and that's when private investigator, Terrance Blake, and Hollywood runaway, Marlon Teagarden, decided to make themselves known.  Blake, a man in Johnny Cash black, including a black hat and a bleak outlook on life shaped by events from his past.  But as with any good novel, growth and/or transformation is a part of his deal. 

And Marlon? He's a lost boy/man on the run from his past...or simply insane.  A junky with subversive literature woven into his gray matter madness.  He would be the one on the way to Burroughs.

So, that's it, let's get started, I thought. I figured Marlon's tripping through the dark frontier of drugs would be a kind of road trip where each leg of his journey would include bizarre characters, a David Lynch twist on things. 

Then Rudolf Chernobyl showed up. 

Originally called Chernobyl Bob and the Ratchet Hounds--dogs made of metal and of a nuclear foundation, which was also to be a part of Chernobyl Bob's make-up (well, the nuclear part IS a part of Rudolf's make-up, ahem...)--I cut the hounds out, perhaps to show up in another tale, while the character decided to let me know his real name: Rudolf Chernobyl. 

Something insidious was being born.

Though I was about a week into the first draft of Riding the Centipede--yes, that title came early; it was there and I snatched it from the mist and made it mine--and I was, for the first time, writing a tale with two perspectives--one third person, one first person, making it even more complex--this damned fella, Rudolf, decided (insisted, really) he wanted in on the action.  I swear, there was a moment when I knew, I just knew, he needed to be involved the whole way and not just as a stop along the way.

Sometimes I think writers, and perhaps artists and musicians, any individual driven by creativity, are given gifts.  Something is shown to us that, if we are willing, we grab onto it and hold on for dear life.  Rudolf was my gift here.  Me, writing a tale with what might qualify as a Horror Icon kind of character--think Pinhead, Freddy Krueger--was never anything I thought I would do.  Yet one must be open to all the possibilities, no matter how they might seem not to fit what we (think we) do.  A Horror Icon? Yet he was The Most Fun to write, I swear.  He does...bad stuff...haha...

Yet the whole novel was The Most Fun to write, because it was a challenge in every way.  Two perspectives, why not three? Two third person, one first person...and one of them 'might' be unreliable?  Juggle that, John Claude... (And what about the process?  Perhaps more on that, soon. Because every novel shows you how it wants to be written and this one was no different.  A specific path was forged.) (What? Yes, there are two other completed novels and another one that only needs the ending written.)

Anyway, that's a bit out the origins of Riding the Centipede.  More info and samples soon. I'm just getting started.  I've barely touched on Burroughs, and what of Marlon's sister, Jane Teagarden, and the mad writer, Peter Solon, and all the other characters along the way? Well, you'll learn about them soon enough.

While I am here, might I suggest you pre-order a copy or three?  The paperback is up for pre-order nowm while the digital will be up in a day or three of this blog post.  Release day is June 29, 2015.

Are you ready to ride the centipede?

Here's a photo of me holding the notepad with the first notes and character sketches.  Yes, that's Italy behind me. 

Monday, June 8, 2015

And So It Begins: Riding The Centipede Pre-Order Info, Cover Art, Back Cover Blurb...

I'm going to be blogging a lot more with the imminent release of my debut novel, Riding the Centipede.  The new tentative and more firm release date is June 29.  We got started with the editing at least three weeks behind, so that May 25 release date is now in the rear view mirror, and we're looking toward the swiftly approaching horizon.  Still some editing to wrap up, our read-through...then, finally, we can send some copies out for review. I'm already getting in touch with potential author blurbs and reviewers.  Again, we're behind, but we also don't want to make the reader wait, so catching up is what is in motion.

So.

Dig the Mad Beautiful cover art put together by my publisher/editor, Kate Jonez.  Yes, that IS Marilyn Monroe riding a huge centipede.  She is an obssession for one of the characters, a 'girlfriend' of sorts, and even has a couple of brief cameos...in a way.  Only a minor detail in the whole of the story, but captivating in this, um...depiction, haha... Ah, but the details reveal more, hint at more that will make sense once the book is out in the wild and you can read it and luxuriate in the madness, the dark wonder.  Or something, heheh...  Anyway, the outfit she's wearing...is that scales like from a snake? Well, there is a character named...no! Not giving it away. 
:-)

How about the biggest teaser, the back cover blurb.  True story: About a week before I was going to send the manuscript off to Omnium Gatherum, I knew one of the things they request is a blurb of sorts, something that might be used in promoting the book. So, too early one morning in late November of last year, I was at the job waiting to get to work.  Sitting there, I pulled out my trusty notepad and thought, okay, what is this book about?  Who are the main characters?  I scribbled my blurb in perhaps five, ten minutes, and set it aside. Besides a couple of necessary details, that was it. No fret, no worry, just get it down and let it be.  I think it works quite well. Sets you up for the wild ride within the pages.  So, here it is: 

***
 
Private Investigator Terrance Blake spends most of his days shadowed by an event from his past, while dismantling the lives of those driven by the masochistic need to confirm the lies they deny are cold, hard truths, until Hollywood socialite Jane Teagarden calls him for only the third time in years with news on the whereabouts of her runaway brother, Marlon.

Marlon Teagarden has been a ghost for ten years, traveling through the underbelly of society as a means of blotting out a past allegedly rife with child abuse, until he is chosen to Ride the Centipede, leading to the ultimate experience, courtesy of literary translator of languages and drug-infused visions from inner and outer space, William S. Burroughs.

Just your average road trip chase through the dark frontier of addiction and alternative realities gone sideways.

Not quite.

Also along for the ride, at the behest of a mysterious employer, is a nuclear-infused force of corrupt nature, “some kind of new breed of human and radiation, a blotch, an aberration, cancer with teeth.”

Allow me to introduce you to Rudolf.

Rudolf Chernobyl.

Let the games begin…

***

:-)

Now, the important news: Riding the Centipede is available for pre-order Right Now.  Just click on the title in the previous sentence.  That's for the paperback and, yes, there will be digital versions too, of course. Really, go there, give my baby some love.
:-)


There will be more info over the next few weeks and months. 
Are you ready to ride the centipede?
The cover...here it is:






Friday, March 27, 2015

Just Out & In The Pipeline Horror Tales By Yours Truly, Circa 2015.

You might already have missed Vox Terrae, published by Dunhams Manor Press/Dynatox Ministries, who also published my novelette, Dandelions.  It was released in January.  Limited to only 50 copies, though their might be some left over for conventions, but it's no longer in the catalogue.  Alas...

:-)

Yeah, figured it might be good to catch up on publishing credits, for the interest of those who might be, um, interested, as well as so I can keep track of things.  Busy times.

Also out in January, my surreal Lovecraftian tale, "The First and Last Performance of Varack," was included in the Omnibus edition of the Monk Punk & The Shadow of the Unknown anthologies.  An interview with an obscure musician at a strange bar along the coast of northern California leads to a performance of apocalyptic proportions.  This was from an old idea, one I'd had flitting around my head for years, finally taking shape when the request was made for this anthology.


That's it for out now, but there's a lot in the pipeline.  I'll just give you the list and will be adding more details, a post about the tales, when they are published.  I'm catching up now because there will be a lot more blog posts dealing with my debut novel, Riding the Centipede, slated for late May release. I will be posting teasers and samples and more from that soon.  As I type this, my editor/publisher at Omnium Gatherum, Kate Jonez, has started in with the edits, so it's getting close.  As for the list of upcoming tales...

"This Is How It Ends" will be in the Soul Survivors 2 anthology.  It was scheduled to be out last year, but you know how the publishing industry is.  The same thing has happened to...

"I Am..." which will be in the A Mythos Grimmly anthology, combining Fairy Tales with Lovecraftian elements.  Circumstances out of hand have delayed that as well, but both these anthologies should be out soon.

My Heavy Metal horror tale, "Moshing With Adolf" (yes, That Adolf) will be reprinted in the second edition of the Axes of Evil series. 

"The Lust Vacuum," a Weird tale set in a strip club, will be included in Dynatox A-Go-Go,  published by Dynatox Ministries.  It's available for pre-order now.  It's also a reprint and one of my earlier tales I like a lot.  You know how some earlier tales just make you shake your head in a bad way.  This is not one of them. 
:-P

"American Ghost" will be included in the Joe Pulver edited, The Leaves of the Necronomicon.  It's a novel-length round-robin exploration of the Necronomicon, each tale dealing with a different decade.  "American Ghost" takes place in the 1970s. 

"The Cooing," an atmospheric exploration of escalating tension that turns Weird will be included in the inaugural edition of CM Muller's Nightscript.

"Those Who Dwell in the Periphery" will be in the...
Ah, can't say yet, not until the publisher gives the okay. It's a subtle Weird tale, one I've had for awhile and messed with often, nipping, tucking, and tearing it apart, because I really like it, dig the idea, and always knew it would eventually become what it is now: the tale it was always meant to be.  

And...as noted above, my debut novel gets dropped in the middle of all this, so there's a lot to look forward to if you're into whatever it is I am doing with words.

Also, I dabble in poetry and will have two poems--"Food For Sharks" and "Black Dog"--published in the next issue of Thirteen Myna Birds.  Quite pleased to have these out any day now.  I'll post a link in the blog when they are up.

:-)

I hope to add more tales to the list, but that's a start... 

:-)

Here's the wild cover for Monk Punk & The Shadow of the Unknown.



Monday, February 16, 2015

Erotic Horror For Insects & Even You: "Mosquito Dance."

I am in-between projects, having sent off first stage edits for my novel, Riding the Centipede--should be out in May, if all goes as scheduled; I'll be posting teasers and what-not before its release--to my editor/publisher last week.  So, in these times, I sometimes wander through works in progress and even go over some finished work for amusement.  I believe I have found the main piece to work on now, with perhaps a couple of backburner pieces to dip into as well.  Anyway, that's when I re-read an older tale, "Mosquito Dance."

It was originally published in a tiny, pocket-sized magazine called, Wicked Hollow, about 11 years ago.  Often when I go back and re-read stuff, it might bring a smile, but it's usually not where I am now.  But this one, amid a world getting wet and/or sticky over the Fifty Shades movie--I have no interest; I like my erotica in a more hardcore vein--might bring amusement to those of you into erotic horror.  Especially since it veers into BDSM a bit.

I'm going to post it as is, though if I were to do some touch-up, I would definitely get rid of many of the semi-colons.  Probably more work than that, but I'm not really going back, I'm moving forward.

So, for your amusement, arousal...and revulsion, here's "Mosquito Dance."

(And, yes, apparently 'amusement' is the word of the day...)

 
***
 
 

Mosquito Dance

By John Claude Smith

 

 

 

     Propped on the ridge of his ear and scattered on his pillow, they did not attempt to draw blood from their sleeping host.  They had grander designs.  As he slept, eyes darting under fleshy shields, deep in the throes of some imagined adventure, they extended the parameters of all known rationale as they attempted communication.  Rubbing insect bodies and converging as one, purpose honed, motivation aligned, they opened lines of transmission subtle yet intense: subliminal.  Connected on a level of sounds unheard by the conscious mind, they suggested, they persuaded patterns within his unrestrained mind.  At optimum mental vulnerability the “message” (tampering) slithered into a cavern of sub-consciousness, planting a seed.  It was their first controlled exertion, their success contingent on many installments, nurturing and prodding into fruition; into action.

#

     “Not again,” Stacy said, stepping into the shower, the sharp definition of her lithe figure shifting through kaleidoscope-like distortions via the ice crystal glasswork of the shower door.  Roger was oddly mesmerized.

     “Roger?”

     “Yes, again,” he said, snapping like a slingshot back to reality.  Another night, just like the previous two weeks’ worth, of weird, indecipherable dreams had left him groggy and reticent.  Dreams that vanished the moment his eyelids flickered open, the residue of which would evaporate in a swirl of meaningless mind dust down a drain in the back of his brain, replaced with iron rod stiffness in his muscles and joints, and a prevalent, all-encompassing hunger--a relentless need for food.  On every occasion he’d gotten himself breakfast (and a feast at that) before Stacy had even arisen.  The weirdest part of all, though, was how on at least three occasion it almost seemed as if he’d awakened in the kitchen gorging himself. 

     “Poor baby, “interjected Stacy from the shower, steam adding a foggy, television version of dreaminess to the proceedings. 

     Her condescending lack of true sympathy pricked his ire.  He conspired to envision her mock demise in his head.  Stretched and stripped on a rack, he vigorously lashed at her with a whip, raising welts and blood—

     Whoa!  Where did that come from?  He shook his head, jostling loose the absurd debris.  He slipped out of his shorts and into the shower, unexpectedly aroused by the perverse fantasy: the descent into sadism. 

     “Oh,” started Stacy, eyes drawn to his sudden intrusion and beaming erection.  “I don’t think there’s enough room in here for the three of us,” she said, trying to regain her composure.  Roger pulled her close and kissed her hard, her slick, soapy body teasing his flesh.  The bar of soap slipped from her grasp.  Composure would have to wait.

#

     The memory of the morning lingered in his thoughts throughout the day.  Not the shower sex, though it had been quite inspired, but the peculiar prelude.  The mental retreat into bondage and discipline had touched him in a way he would never have thought possible.  He contemplated long on the subject, realizing that the key for him was not so much the infliction of pain as the tantalizing theft of her mobility, her freedom; she was rendered less than slave.  The quintessential piece of meat; more an object than a human, an object he could use, abuse, pleasure, or punish at his own discretion.  He’d always thought himself a straight arrow when it came to sex, never deviating from the established norm.  Fantasies, especially something of this extreme nature, had never played a major role in his canon of mental stimuli--he was plenty aroused by the promise of flesh to even consider such macabre inventions.  And yet…

     He scratched for reasons: despite feelings to the contrary, maybe he was bored. One year with the same woman (and monogamous, too), this was definitely his longest relationship to date.  Maybe his body and brain craved something else.  He deliberated the possibility of having an affair to abate his desires but ended up batting that option right out of the ballpark.  Stacy was all he’d ever wanted from a woman: intelligence, humor, and a body to melt Antarctica.  A superficial want, but nonetheless, one he catered as necessary.   

     So what was the deal?

     Through the compounding confusion, he aligned the possibility of adding some spice to his sex life, seasoning it with a pinch of bondage.  He stared at the pencil he was tapping on his desk, entranced by the clockwork rhythm and stunted pendulum swing, oblivious to Miss Crockett’s buzzing, his concentration a prisoner, shackled by shadows in limbo, impervious to anything but the tap tap tapping tick tock tick tock tick tock--

     And just as abruptly the insistence of the buzzing, a call from the real world pulled him back from his mental hiatus.  He punched her in.

#

     As they undressed for bed, Stacy moved in and pressed against him, raising goose bumps and a twitch in his loins. 

     “What got into you this morning, stud?”

     Roger played the idiot.  “What do you mean?”

     Stacy harrumphed.  “You know exactly what I’m talking about.  Don’t play dumb with me.”

     Roger implied innocence and ignorance through a façade of wide-eyed naiveté.

     “Oh, you weren’t playing?”

     Their unabashed laughter confirmed their genuine contentment in each others’ company.  Contentment was swiftly banished by the wily maneuverings of lust.  They kissed, a fusion of mouths and tongues that further enlightened nerve endings, appealing to the erogenous fleshscapes their bodies presented.  Unbeknownst to himself, more as a reaction than an action, Roger held Stacy’s wrists tight against her sides.  A surge of animal aggression, of something primal, surfaced to dictate the path of the evening’s endeavor, a more physical manifestation of the fantasy that had coaxed him to arousal this morning.  Roger’s hands secured her wrists behind her, his fingers locked like fleshy handcuffs.  She struggled, but in earnest her struggling only served to enhance her anticipation, as evidenced by the plying of her lips and legs.  He worked her toward the bed, shifting her immobile arms from behind to above; their bodies tumbled in a heap of tangled flesh.  He rubbed the meat of his thigh against her moistness; her legs embraced him, demanding more than feeble flirtations.  She wanted nothing less than the full embodiment of his passion in her.  Roger promptly fulfilled her desperate gesticulations, and yet felt as if he could do as he pleased.

     Or could he?

     There was something deeper that drove him, an internal chain of command that seemed most elusive, evading his conscious prying by dipping him in and out of conscious control; he was driven to perform, but not totally of his own volition.   His muscles clenched, his will lapsed, fluctuating between his rule and the subversive inclinations of…something else.  It did not hinder his mobility, the act of which he was indelibly bound, but it escorted him for seconds and minutes to a mind stripped of character, an ebony wasteland--a fugue state--that, despite its scoured, lifeless soul, he found rather intriguing … when he slipped back to conscious control.

     (tick tock tick tock tick tock tick…)

     Well into the morning they finally ceased and slumped together, sweaty and spent.  Sleep was swift to upend them.

#

     If joy was a part of the progression their insect bodies would have danced a jig; instead, they lit on Roger’s ear and pillow, flitted above his head, and danced with determination.  They’d evolved, but that evolution was hinged on a purpose.  Somehow they’d learned and understood the sublevels of communication, of language, of manipulation; but they were insects, and as insects there was only one objective they harbored as important, only one conceivable obligation any purpose could hold.  The insect world’s politics and proclivities are geared toward the simple cadences of instinct and urge; of survival.  In their world, survival meant food.

     Dance they would, until it was time to dine.

#

     What followed was a sojourn into the heart of carnal depravity; an odyssey of saliva, sweat, semen, and strength.  It was an excursion into the musky loins of sexual obsession, sexual addiction. 

     Before, their sex had been satisfying, or so they thought.  Now it was necessary, Stacy’s wanton aspirations transforming her into the perfect whore.  Roger was outwardly her equal, but inside … oblivious--but driven.  They were selfish, unapologetic in their individual quests, not for the imminent orgasm, but for the one that followed.  And so forth.  The circle spun tighter, each feeding off the other’s ecstasy, always wanting more.  

     Sex had become a pure, visceral religion of which they worshipped with uncompromising fervor.  Their pulpit was a mattress adorned with stained, drenched sheets.  They explored a vast array of sexual deviations, all within the shameless sanctuary of their condo, much to the delight of leering, salivating gods.  Their meshing was flagrant, aggressive by design, forsaking caution in the clinch.  Fingernails, teeth, bruises (hickeys discreetly hidden now creeping above collars and below hemlines), spanking, hitting; anatomical acrobatics better left unsaid.

     And there had been…light bondage.

     A prelude of things to come: a culmination of insect insistence.

#

     (tick tock tick tock tick tock tick…)

     Monday, Tuesday, Wednesday, ThursdayFridaySaturdaydaydayTuesdaydaydayFridaydaydayday--the days had lost their importance, had in fact lost their individuality.  They were to be endured, running on the exhaust of reflex motions to give an air of effort while Roger and Stacy recharged their mental and physical batteries.  But when darkness dripped they lapped it as if it were an elixir, revitalizing their souls and the impetus therein.  The endless nights continued, their existence defined by the fathomless forays into total sex.

     (tick tock tick tock tick tock     …)

     It happened swiftly, a natural step up the ladder of their ever expanding repertoire.  Stacy didn’t mind in the least when Roger gagged and bound her spread-eagled to bedposts and frame to better facilitate his assault, his desecration; crucified for the watchful gods dancing in the shadows.

     A sacrifice.

     (tick tock tick tock tick          …)

     The walls shifted, sprang to life, a miasma of insect activity and agility cultivating the improbable.  They fluttered and danced, engulfing Roger’s head in a swarming fugue both inside and out.  Revulsion knotted at Stacy’s throat but she managed to ebb the flow before it reached the silk scarf stuffed in her mouth, her face awash in shock and disgust.  The scene before her teetered on madness: the walls had, in their own strange way, carried out the function she had curtailed, vomiting insects from the paint and pores, nooks and crannies, wrenching them from unseen mouths.  Ominous shadows, deeper than the night, convulsed

     (tick tock tick tock               …)

     into life.  Her nakedness, her complete nakedness, the flesh in which she found refuge and expressed passions, was laid open for the whim of whomever or whatever wished to trespass.  Under these conditions all the headway she had made disclaiming inhibitions crumbled by the wayside; she felt dirty, obscene, and very vulnerable.  She caught a glimpse of the glimmer in Roger’s eyes amidst the tumultuous black cloud, like a motel’s neon declaration of the heart and conduct within its leering walls: vacant.  She almost thought he was blind.  Or worse…

     Roger rose from his perch on her, the mosquitoes crackling with intensity, weaving frenetic currents around him.  In the darkness

     (tick tock tick                     …)                       

     that had become their cohort in corruption, Stacy could vaguely make out the astonishing commotion addressing Roger.  She watched him listlessly slip into his jeans, a shirt, and sneakers, his movements the antithesis of the swirling turbulence.  Terror embellished her as futility settled in.  She was helpless, made to watch Roger’s trance-induced pantomime, as if he was

     (tick tock                         …)                          

     hypnotized, brainwashed, under foreign influence, his control…gone.

     (tick                              …)    

     He left.

     Death would have been kinder.

     (                                  …)

#

     The harsh fluorescent lights bled into the gloom, pulsing ever brighter; layers of light peeled away the darkness like idle fingers picking at a scab.  Disorientation meandered in to grab him by the shoulders and shake him, not willing to relinquish its transient existence yet.  His initial thoughts were of searing discomfort, followed by a roll-call of questions.  Where was he?  How did he get here?  What was he doing here?  Where’s Stacy?  His heart pounded furiously, his blood surged.  He squinted, eyes adjusting.  He was parked on a nondescript side street.  On the passenger seat was a half empty box of chocolate donuts, an unopened bag of tortilla chips, and a six-pack of generic beer, of which three were drained.  He remembered the inspiration for none of this. 

     He raised his arm toward his face but his wrist was oddly naked; he never left the condo without his watch.  He glanced toward the dashboard, eyes still blurry, finally focusing on the digital clock there.      

     4:35 a.m.  Where had all the time gone?

     What was going on?

     Urgency implored haste.  He had to get back to the condo, had to get some answers.  He pressed the pedal floor-bound and screeched from the curb, scattering the refreshments from their roost in the passenger seat.  He didn’t care.  He had to get home, had to get there soon.

#

     The door was unlocked.  That was the first sign that something was amiss.  He never left without locking the door.  He rubbed his bare wrist, reminding himself that normal routines had obviously been abandoned, or perhaps altered.

     Injury.  The word raced to the forefront of his sensory inquisition upon entering the condo.  The place seemed moist with frenzy; something had happened here, something out of the ordinary.  The stench was not death, but it was pungent along the same lines.

     He called out Stacy’s name.  The frenzy hesitated.  He heard, felt, distinctly perceived hesitation.  Something was very wrong. 

      In the bedroom.

     He paced toward the open bedroom door, aware of the nausea rumbling in his gut.  But he had to go on.  Without as yet seeing her, he knew Stacy was hurt.  Raped?  Possibly, but he sensed much more.  He could taste it in the air, thick as phlegm, clotting his throat.  The input he was receiving was totally alien.  But he had to go on.  If Stacy was injured (a foregone conclusion), he must help.

     The doorway was a passage into the gruesome, the surreal: a Gigeresque portrait of sensuality and disease; a rift in reality.  But in this case the sensuality was a memory.

     And this was not a painting.

     His throat constricted from the putrid sight and smell, unable to scream or comprehend; a low gurgling moan passed his lips: the whine of the mentally defeated.  He wanted desperately to repudiate the lies his vision enforced; the lies his vision brandished as he entered the bedroom.

     Hundreds, maybe thousands, of mosquitoes filled the whole of his sight, some in flight, some resting…some feasting.

     On Stacy.

     She was bound to the bed, gagged with some indecipherable material.  Somehow, sifting through the debris of coherent thought, Roger remembered being responsible for her imposed restrictions.  But not the rest.

     No way.

     Stacy’s body was mutilated beyond recognition.  He only knew it was her because this was their condo, this was their bed.  Any traces of the woman he loved were buried under a range of volcano-like mounds, layers of flesh infected and swelling from their excavations.  And still the mosquitoes drank from the frayed edges, dipping into freshly hollowed cavities, some perched in circles and sucking from a particularly potent well while others continued with fresh digs, like drilling for oil.  Of paramount interest to the mosquitoes was her blood engorged vagina; triggered by her earlier arousal, it was an alluring delicacy for their voracious appetites.

     Roger’s legs wobbled, but he steadied himself with an influx of adrenaline strength.  The fatter, feeding mosquitoes, the atrocious coat of which Stacy was adorned, paused.  A message was relayed: the watchers turned their attention toward Roger.  They started to flutter madly, to dance, a convoluted choreography of insect cunning.  When the feeders joined in, Roger felt it.

     A tug.

    A trapdoor in his mind swung open but he flailed and somehow caught himself before sliding down the dark throat into a seething, cavernous belly of blackness.  Still, it yawned wide below him, extending ever wider, pushing to the limits his grasp on what he beheld as concrete as well as the rim he gripped with the memories of clammy fingers--slipping, slipping.  Rough tongues caressed him, but still he managed to cling to reality.

     In the bedroom he stumbled forward, fighting, reaching out as in his head he fought to divert his descent.  His fingers, for the tiniest sliver of an instant, touched Stacy’s bloated foot.  Her leg twitched, a reaction to the uncommon intrusion of her nerve endings as opposed to the repetitious pin-pricking assault that had grown familiar, rolling from right to left.

     She was still alive.

     Injury, not death.  That is what he had sensed.  Rape?  Yes, a rape of her core humanity by these heinous circumstances. 

     Roger fell…into the fugue, swallowed, a conscious as well as subconscious surrender, down, down, down into the ebony wasteland.  The supervision of his self, his own core humanity--disintegrated.

     His. World. Went. Black.

#

     Roger listened as they dictated their ruthless orders.  He listened and understood and was beyond dissention.  He marveled at the audacity they had embraced to achieve their goal, the full extent of their evolution.  They were his elixir, the embodiment of the darkness that he (and Stacy, poor Stacy) had savored.  The bitter elixir.

     They.

     The mosquitoes.

     He also knew what they wanted, what they demanded, as dictated by the diabolical machinations of their dance.                                       

     More.
 
***
 
Delightful, eh?  :-)
 
Was going to post the cover of the issue of Wicked Hollow "Mosquito Dance" appeared in, but blogger is being funky, so can't upload anything at the moment.  Alas...
 

Monday, January 5, 2015

Vox Terrae: My Weird Occult Horror Chapbook From Dunhams Manor Press

The original title for Vox Terrae was The Alternative Translation. This translation is the foundation for the surreal horror that fills the final third of the tale.  The initial tale started taking shape a few years ago and had reached a dead end. I knew what I wanted to do, or what the tale wanted me to do, but was not prepared properly to deal with it as it needed to be dealt with.  Worse yet, though a necessary part of the process with this tale, was my desire to graft a section from a much older tale, Welcoming The Hell Machine, onto the major transformative/revelatory/utter madness sequence in the tale.  The aforementioned final third. Which caused another dead end.  Fast forward to late summer 2014 and my getting to know Dynatox Ministries, especially the Dunhams Manor Press imprint, and realizing if I could finish this damn thing, it might work well for this excellent small press publisher.  I had had a previous submission accepted (Dandelions), though they had cut it close and perhaps overlapped in the submission timeline. My inspiration to Take This Beast Down led me to dig in hardcore and knock it out. Amid a furious spell of late summer writing, I was able to find the way through the descriptive mayhem toward the grim finale.

An aside: I had written a blog about Dandelions in September and realized soon thereafter my timeline was way off with the origin of that tale.  I remembered a friend who passed away in 2005 or 2006 who had raved about the ending of that one, his favorite of my work. That would put Dandelions origin date perhaps five years earlier than expected, though it had gone through tweaking and shaping all throughout its path to publication.

Another aside: files. I have lots of stories in motion. Many of us do. I lose track in some cases of when a story originated.  Time flies, truly flies.  Some tales are swift to come, taking a week or so, usually a month or three through the whole process.  But others...they start, you know in many cases they might just sit and you'll steal from them for something else--hence, what I did with Welcoming The Hell Machine--while others, like The Alternative Translation/Vox Terrae, you know what's there is good, you just need to find the path or gain the skills to carry it to conclusion.

Anyway...

Here's a little blurb I whipped up to accompany this tale. 

"Rumor was Lorraine Blackthorne had written an alternative translation to notorious necromancer Alessandro Vernielli’s infamous 1841 tome of the black arts, Vox Terrae--The Voice of the Earth.  In a bleak house shadowed by a forest in northern California, occult researchers Kenneth and Ivan discover the translation in question moves beyond words and into pure experience.
Curiosity can lead to harrowing consequences.
Kenneth’s partner, Alicia, already knows this much…"

I've got a fascination with words and language and them being 'living things.' The title story to my collection, Autumn in the Abyss, touches on this.  I can see it cropping up in another tale or three in motion, especially one called...what the hell is it called? "Eouem Cumkpaa."  Yeah...er...that one.

Curious...
Here's the link for Vox Terrae. Limited to 50 copies.  Time is of the essence.  :-)

Lovely cover below. Including insects...
 
 
 

Monday, December 1, 2014

Riffing On Some Weird Fiction Titles...


How about a few Weird Fiction titles that have left an impression on yours truly, circa 2014?  This is not comprehensive, though I expect to do reviews and/or little blurbs as part of my writing repertoire...again.  Again, though I cannot let it take over! I used to write music reviews, dear god, gods, and all in charge of distracting the writer, and lost track of my own writing, so...they'll come when they come, but I am consciously making an effort.  Not just for Weird Fiction as I'll get into Horror and all its motley relations--dark fiction in general--but I’ve been threatening to do this one for awhile, so now that I’ve completed my novel, Riding The Centipede, I can take a deep breath, read more, write outside of the parameters of that beast, and…let’s get to it.

Starting big...

***

 Ana Kai Tangata--Scott Nicolay

I’m going to ramble a bit as I’ve wanted to say something about Scott Nicolay’s astonishing debut collection ever since I finished reading it.  No, wait…it was probably around the time I finished reading “The Soft Frogs” I knew I had to say something.  So I wrote notes, a mess of them, fragments, observations.  Let’s see if I can make sense of them.

Shall we?

I remember reading the first story “alligators” a few years back, enjoyed the details, yet thought the ending was rushed.  I knew I wanted more, though, to follow Nicolay’s growth as a writer, because he had something here that compelled, despite my misgivings about the ending.

Growth was fully attained with the release of his debut collection, Ana Kai Tangata.  Though, to be honest and in retrospect, it was all there in “alligators,” intentions and presentation clearly defined.  I simply had to acclimate to what Nicolay was doing as a writer.

That said I skipped it, wanting to experience something else, something new.

The eight mostly long tales in Ana Kai Tangata posit a densely woven exploration of the exterior and interior landscapes to create a concise, hyper-realistic picture.  Layer upon layer, a CT scan delineated with words.  In every story, the psychological terrain is not only expressed by the motivation of characters, the terrain they are immersed in is paramount to the whole picture, bleeding into the character’s mindsets…or vice versa.  There’s deep knowledge and understanding of Weird fiction, but the tales are firmly set in the here and now, utterly distinct and uncompromising.  Nicolay has vision and sets forth with unwavering determination to convey this vision to the utmost of his immense talent.

He succeeds on every count.

I didn’t even read the title story.  I watched it as it played out on the cranial cinema in my head.  I may never have visualized a story as lucidly as this one, caver Max’s fumbling breakdown something to behold, the final image annihilating any pretext to hope.  As with many tales here, the casual asides are an essential part of the story architecture.  Offhand comments, many of them of a sexual nature, are also essential to each story’s psychological foundation.  

The only other tale I’d read by Nicolay before diving into AKT was “Eyes Exchange Bank,” from the Shirley Jackson award winning The Grimscribe’s Puppets anthology.  I could see again Nicolay was doing what he did in “alligators” until a paragraph toward the end ("Ray opened his mouth to reply, but his tongue had gone numb…”) stopped me dead in my tracks.  Nicolay had somehow touched perfection, an astonishing feat, a dense, beautiful depiction of dread, a kind of psychological (again, everything here touches on multiple layers with the perceptive reader) erosion manifested in an incapacitating way, a split second in one’s personal Hell.  I re-read the paragraph a few times before moving forward, absorbing what he had done. Fascinated…

This is something he does.  The compulsion is to re-read the tales because they so deeply cut into something inexplicable and beyond my understanding.  But I want more.  Nicolay is addictive. 

“Phragmites,”perhaps the most detailed story and threaded with Navajo nuances throughout—more than threaded, it's woven into the text—punches once, then once again, a brutal, harsh finale.

“The Soft Frogs” (probably my favorite story) sinks into the shallows of Jaycee, a lost soul driven by punk rock and blow jobs and not a whole lot more.  Connecting with a woman known as Eye at an abandoned Convent patrolled by the title amphibians, it may sound like a preposterous premise for a story, yet the details as always really flesh this one out, and the soft frogs made me think of early 20th century horror, as if they were born back then, but mutated into what they had become, now.  And, please, don’t take a look under Eye’s shirt…

“Geschafte” (probably my…favorite…story…) (ahem) is a masterful descent into urban dread, deeply hallucinatory, a fever dream of erosion on every level (outward, inward...), ending with a shocking image that feels like something culled from the finest of Japanese Horror.  A curious thought?  No matter, it’s brilliant.

(I've just noticed I've used the word 'erosion' three times already. Interesting...and I'm not changing it.)

“Tuckahoe,” a short novel, opens with an extra limb found at a car accident on the Parkway south of Tuckahoe.  This may “feel” like the most traditional tale, yet it’s still prime Nicolay, veering all over the place, from a realistic bout of rough sex, to a labyrinthine rural nightmare, to a finale that is about as cruelly horrific as any you might encounter…though at this point, we’ve encountered many worthy contenders among these pages.  

Perhaps the best way for the reader to acclimate to Nicolay’s mad scientist masterplan is with “The Bad Outer Space,” in which a precautious [edit: I meant precocious, excuse me] five year-old experiences a spin on weirdness that is of a level of expression that is crystal clear.  Simplified, if not simple.  And so different from anything expected.  But, again, that’s where all the tales go.

I noticed as I read the stories, I gathered a deeper understanding of what Nicolay was doing—not attempting, but doing—and my enjoyment of the stories as I read them grew exponentially.  After the final story, I went back and read the first story, “alligators,” and the ending was perfect, the final image and build-up before it, powerful.

I had learned well…

I could go on.  There’s a lot to embrace with these stories.  A lot to learn (hey, I know nothing about caving, but since a couple stories here touch on the subject with genuine depth and knowledge, now I do).  Read them all.  Don’t just read a couple and think, well, I’ll finish this later.  These tales are meant to be absorbed in large chunks over short time.  Ana Kai Tangata is a fully immersive, mind-altering masterpiece.  Required reading for anybody into Weird fiction...or anybody who wants to experience words as well as read them.  Mandatory...and, as noted at the beginning of my ramble, fairly astonishing. 

PS. Forgot to mention, David Verba's artwork is spot-on for what Nicolay does with words.  A perfect pairing.

***

Before I move on: Dynatox Ministries.  You need to clip and save the link and make regular stops at the site.  They specialize in limited edition chapbooks.  The Dunhams Manor Press imprint deals with Weird Fiction.  You need these titles, but need to be timely.  Here and gone asap…

Some examples... 

***

Far From Streets--Michael Griffin

“We can’t spend our lives in between.”

Married couple Dane and Carolyn take the road less travelled, losing track of life and, with Griffin’s measured, precise presentation, the sway of Time, splitting the seams that connect modern convenience with personal happiness and even sanity.  Dane’s quest for a simpler life wrought in the bones and atavistic at heart disintegrates for both of them into a harrowing nightmare of decay and malaise, all within a house in the woods, and the surrounding mysteries of a forest as much a character in the tale as Dane and Carolyn.  Psychological devastation has never been as subtle... 

Michael Griffin’s Far From Streets is a 21st century modern classic of the Weird, a tale I’m sure would meet with Algernon Blackwood’s approval.  Griffin is putting together a collection as I type this.  I cannot wait to read it!

***

Weird Tales of a Bangalorean--Jayaprakash Satyamurthy

A sense of being caught in between, in a limbo land of subtle dreads mounting a slow demise via attrition of self and soul, resonates powerfully in Satyamurthy’s haunted tales full of decay and filth, embroidered with the culture of India and religious/spiritual subtexts.  We start nowhere, we end nowhere, but it’s not the same nowhere.  There is a singular mood that dominates the collection, a shroud cover that almost suffocates, not unlike the work of Simon Strantzes.  Excellent!

***

Christopher Slatsky—No One is Sleeping in This World.

A brief tale about the influence of architecture, of “sacred geometry,” perhaps...or is it the schizophrenic have found their god?  The city as sentient being?  Strangely captivating.  More, please.  An inspiring tale, triggering a lot of deep thought from yours truly.
 
***

The following title is not from Dunhams Manor Press, but deserves your attention.

Gateways to Abomination--Matthew M. Bartlett

Bartlett spins the dial to a radio jacked into the psyche, where the nightmare world unravels and a surreal dream-logic pushes the tales along with real intent in this curious and most satisfying collection that seems at all times to be spilling off the edge of the page.  That's the dream-logic in motion and often taking over; at times, what happens seems to have come to Bartlett right then, at the moment he types whatever mad words are to follow.  Some tales come off as bruised snapshots suggesting something more, but the collection as a whole resonates with a distinct tone that connects them all.  Fascinating and…self-published?  Some smart publisher needs to sign Bartlett up Now.  He knows what he’s doing and I Want More.

***

There’s more Dunhams Manor titles for me to catch up on (T. E. Grau’s The Lost Aklo Stories, Joseph S. Pulver’s Fatally-Coloured Gestures [excuse me for this, but Pulver deserves a special mention here: if you want to read a masterful meshing of Noir and Weird, by all means, pick up his novel, The Orphan Palace; you may know his short work—and should—but that novel is something special], and a few more), as well as some Horror titles, too.  I started Kate Jonez’ Ceremony of Flies and was immediately hooked, so looking to get back into that, as well as a couple of releases by one of my fave writers, Lucy Taylor (Fatal Journeys and A Respite for the Dead), S.P. Miskowski’s finale for the Skillute Cycle, In The Light, and many, many more. 
 
(We all speak of our TBR piles.  Who are we kidding.  There's no catching up.  It grows, we dip in, we make strides, it grows more.  Never catching up...)

I’m leaving out tons.  Excuse me.

Have you read Ian Welke’s The Whisperer in Dissonance? Sly, deceptive, subtly devastating.

Okay, Now I will stop.

Just read.  There’s so much wonder to be had.
 
Over 'n' Out...for now.
 
 

Monday, September 22, 2014

What Kind of Hallucinatory, Weird Horror Could Be Inspired By "Dandelions"?

Dandelions.  You know what they are.  White weed puffs you blow on, make a wish, and giggle afterwards at the nonsense of it all.  More so: "a widely distributed weed of the daisy family, with a rosette of leaves and large bright yellow flowers followed by globular heads of seeds with downy tufts."

Or are they?

Not in the hands of a writer of dark fiction.

Let's see, going over my records, this hallucinatory, truly Weird short novelette was written perhaps 4-5 years ago.  Submitted a couple times to good responses, though passed on by the magazines.  Then,  in 2012, it was accepted for publication in a pro magazine that went so far as to say they were going to make it a centerpiece of their first issue.  I was, of course, stoked.  But as it goes in the publishing world, the magazine never got off the ground.  Sadly, "Dandelions" had to hit the submission road again, though in the editorial comments about the story, the editors noted that, "it doesn't really start until page 4."  I took that to heart and edited it down, cleaned up the beginning.  Sent it out a couple more times, got a couple more rejections. 

At some point in August of this year, Dynatox Ministries/Dunhams Manor Press posted on FB they would be accepting submissions.  A few people noted I would be a good fit for them. I thought, what the heck, let's hit them with "Dandelions." 

But.

As I read over the text, I realized I could make it better.  With this mindset, I tore the tale apart and put it back as it initially was, but stronger, faster...the Six-Million-Dollar "Dandelions."  Lost some words but this wiry beast was ready to be unleashed.

How about a blurb?  Let me whip something up.


"Two couples on vaction leave the world behind.
They end up at an old hotel, where the proprietors seem...curious.
Teresa warned Max something was wrong when they got there.
He should have listened to her.
Time is a weight dragging them down...

A vast field of dandelions holds the key to a harrowing, hallucinatory finale."


Sure, roll with that and this from the publisher: "A slow burn into frightening weirdness."

Here's the link for purchase.  Limited to 50 copies.  Buy now, before it's gone, gone, gone...


Buy more from Dynatox Ministries/Dunhams Manor Press (Dandelions is part of Dunhams Manor Weird Fiction), as well. I should have some of their books waiting for me when I get back to the states in the middle of October.  Can't wait to read them!  Use the above link, click to product, check em out and make Jordan Krall, the guy behind this excellent small press, a happy guy.
:-)



Also, since it says, hey, by the author of AUTUMN IN THE ABYSS on the cover, let's link you to that lovely title here.

:-)