Saturday, July 1, 2023

Something's Happening: Reissues and More!

Somebody's laughing. God? The Universe? I made plans...and then the world tipped off its axis. 

After I'd published Occasional Beasts: Tales, what I felt it was my best collection and contained some of my best tales. I thought, yes, this will generate sales. 
It did not generate much of anything, sadly. 
This was 2018. I had been consistent in getting out a book or chapbook for a few years running, so decided to pull back on the reins, give myself and the readers, however few they may be, a break. I decided not to publish a book in 2019. 2020 would have to do.
Yeah, right. 
We all know what 2020 threw at us. Top that off with two of the three publishers for my books going out of business between then and Right Now, and nothing I had planned in my head was even in the realm of possibility. 
But, even amid the chaos of Covid, I kept writing. Sometimes sporadically, sometimes locked in. Strange times, but I tried to lean on writing as a way to keep myself sane, which is often what I lean on it for. 

Fast forward to late 2022. I hooked up with Crossroad Press for reissues of three of the books...which became three and a half. Up first is Autumn in the Abyss Redux, which will contain the five tales from that mini-collection, all of Occasional Beasts: Tales, and six tales from The Dark is Light Enough For Me. Twenty-Five in all, this is a burly beast of a collection, a recap of the first part of my so-called writing journey (though, TBH, a true summing up would include many of my earliest tales in a collection, which I might actually look into putting together at some point). Along with a re-issue of Riding the Centipede, my Stoker nominated debut collection, this seems a succinct way to re-introduce myself to the world today. Something like that, c'mon. 
But it's all with a purpose but not set plans. Not teasing out more laughter from any unknown, unseen forces, but I like getting these earlier titles re-issued with what should follow. 
What, exactly, should follow, JCS? 

Out in submission land, there's a lot going on. 

I have two completed novels (Odd Blue, originally called Birdland, as well as Our Savage Anatomies), along with a novella that needs me to shove it out of the nest, The Ouroboros Ballads, and, soon after that, another novel, The Ecstasy of Becoming. More details on all of these sooner than later.

That's a lot in the pipeline, a lot for a publisher and/or an agent to love. 

Add to that at least one compilation, tentatively titled, It's Hard To Be Me & Other Confessions...or something like that, haha...and even a poetry collection. 

So, plans falter, but I kept my nose to the grindstone and wrote a fair amount--this doesn't even include short stories and a long novelette/short novella, etc. Busy is good, as I often say. 

But for now, with more details to come, Autumn in the Abyss is up first. You know that from the previous blog post. This was supposed to be the lead in post for that one, but as noted already about how things go: plans? hahahaha... 

Are you ready for this? 

I certainly am!


And, for the sake of amusement and because this is how it often feels when writing, here's J.G. Ballard's edits for the first page of Crash, one of my, if not my, favorite novels. 





Monday, June 26, 2023

Autumn in the Abyss Redux!!!

 Autumn in the Abyss Redux, a massive collection, kind of an overview of the first stage of my so-called writing career, is Out In The Wild Now! 

Thanks so much to Crossroad Press for working with me to bring this to You! 

So, what exactly is in the updated and expanded version of my second collection? Twenty-five tales, 479 pages, that's what? Over 160k words. Details? Here's the TOC: 


Autumn in the Abyss 

Black Wings

The Dark is Light Enough for Me

I Wish I Was a Pretty Little Girl 

Not Breathing 

Strange Trees 

Plastic 

Broken Teacup 

la mia immortalita 

Where the Light Won't Find You

Becoming Human

The Glove 

The Wounded Table 

A Declaration of Intent

Dandelions 

The Cooing 

The Occasional Beast That Is Her Soul

This Darkness 

Personal Jesus 

I Am... 

Beautiful 

Chrysalis 

Vox Terrae 

The Johnny Depp Thing 

The Land Lord


1 + 8-11 are the complete Autumn in the Abyss mini-collection. 2-7 are six of my favorite tales from my debut collection, The Dark is Light Enough For Me. 11-25 is ALL of Occasional Beast: Tales, my third collection. 

Here's the link so you can pick up your copy today: Autumn in the Abyss Redux - Kindle edition by Smith, John Claude. Literature & Fiction Kindle eBooks @ Amazon.com.

I have digital copies for reviewers, just get in touch. Also, if you reviewed any of the collections and would like to drop that review for the updated and expanded collection here, by all means, please do. Amazon and Goodreads, anywhere, everywhere. Thank you! 

Here's a low res but looks fine to me picture of the cover. 







Monday, November 7, 2022

There's A Lot Going On

 Yeah, I know. Haven't posted here in quite a while. Let's rectify that Right Now. 

What's up? 

Omnium Gatherum, the publisher of my books Autumn in the Abyss, Riding the Centipede, and Occasional Beasts: Tales, has gone out of business. A wonderful publisher, I was sad to see this happen. [ETA: my understanding is that by the end of the year, doors officially close.] Ah, but already I am working on getting those books back out to You early next year. I will follow up with details as things develop. 

What else?

I presently am shopping two novels to agents and will probably work them to publishers, too. But I started with agents thinking, Hey, JC, it's about time you got an agent!  

Birdland, though I may change the title to Odd Blue--I'm leaning that way--clocks in at 68k. 

Briefly: Birdland is a melting pot neighborhood that is invaded by a creature (Odd Blue) from another dimension set on annihilating humanity. The core of the novel deals with the interactions of gritty, diverse characters as events unfold leading to a confrontation with the creature. 

Our Savage Anatomies runs lean and mean at 46k. 

OSA includes werewolves and vampires and a mutation creature of a vampire and includes a mind-boggling [redacted; I cannot give away all the surprises] centerpiece and is, as I noted to my girlfriend as I was writing it, completely nuts! Yeah, everything and the kitchen sink AND the pipes and monsters that live in the pipes and, hey, what the hell is that? Yeah, so, it's a wild ride. 

I am wrapping up a novella called The Ouroboros Ballads this week (the file is up as I type this). Just tightening up the last 20-25 pages. It runs 36k and includes lyrics, c'mon! Music is a key, there's a mysterious guitar, and another humanity hating creature utilizing it all for its own apocalyptic designs or...something like that. Anyway, that will be done this week and I already have a publisher lined up who I hope will be interested. 

There's another novel in need of revisions, The Ecstasy of Becoming, more of a bizarre, fantastical tale that comes in around 51k at the moment, and, yes, Another Novel, this one in progress, that will probably be my primary focus for the next few months. More info sooner than later. 

Short fiction for magazines and antho calls will be interspersed throughout the process of writing the larger pieces, as well as poetry. I've been leaning a lot into poetry right now, keeping the writing chops sharp as I work through the fiction. 

So, as you can see, there's a lot going on. Busy is good, as I like to say. Now, time for me to shut up and get to it. 

I will be more regular in posting now that I've swiped away the cobwebs. 

Here's a photo of the Clark Nova I just picked up that I am using for my writing...and no, ha, but gotta love it. It IS the Clark Nova from David Cronenberg's spin on William S. Burroughs' Naked Lunch, one of my favorite movies. The 'other' typewriter from the movie is the more familiar insect one with the talking asshole, but I tried to use that one for a while and it just would not shut up! So, trying out the Clark Nova. Or not. 

;-) 





 


Monday, February 14, 2022

I Give You My Heart. Valentine's Day Flash Fiction.

 Why not? I haven't posted a blog post in...too long. But inspired by re-reading a grim flash fiction piece full of heart, I thought, Why not? 

Also, it gives me the opportunity to say, hey, I've been writing a lot. My novel, Birdland, is with agents, we'll see what, if anything, happens with them. I'm doing final revisions on another novel, Our Savage Anatomies. There's two collections in the mix (Winter in the Wasteland and Love in the Key of Suffering are the tentative titles), as well as perhaps a poetry collection (My Scars Recite Poems My Mouth Won't Repeat, another tentative title). There's also a couple of novels being written, waiting for me to wrap up the OSA revisions. So, a lot has been happening, even as my latest book (Occasional Beasts: Tales) was published in 2018. Time...flies, and then a pandemic throws everything out of whack. 

But enough of this! 

A grim flash fiction piece, as promised. It's an old tale, so don't judge too hard, haha... Written after a break-up around 16 1/2+ years ago, pure hell period. It's your Valentine's Day bittersweet treat. And rather bloody. 


Numb

by John Claude Smith

 

     He feels nothing: numb, empty….    

     He resorts to cutting himself as an exercise in sensation, in trying to feel something at a time when he feels nothing. 

     But even that does not break through.

     He still feels nothing.

     Acquiring a scalpel was easy, Tammy works at the clinic. She brought one to him without questions. He took it from her two days ago and closed the door before she had the opportunity to invite herself in or intrude in any other way. 

     He did not care about how rude it came off.

     He does not care about much of anything.

     But her. Alicia. The woman he loves.

     The woman who left him.  

     (How could she leave me? How could she give up on us?  The thoughts roll by in his head like a never-ending freight train, its self-destructive cargo branded in torturous repetition.)

     He places the scalpel against his naked chest, pressing hard. The blade digs deep, blood streaming over his abdomen.

     Nothing.

     He grunts from the effort as he pulls the blade down. The incision is deep, opening his insides to the world. Well, not quite…. It opens him but will require the effort of his bare hands to continue the process.

     Still, he is numb.

     He sets the scalpel down and thrusts his fingers into the fresh wound. Pulling with supreme effort, he pries his chest wide open. Muscles and bones are wrenched from their usual homes, tearing and breaking.

     He stops, sucks in a weary breath, and gazes into the moist red cavity.

     He jostles things, moves them about, rearranging the internal in ways that give him access to his goal.

     The thick muscle’s rhythm is consistent, even though this more extreme exercise would normally render one dead.

     He feels dead inside already, so….

     He reaches in with both hands, scalpel severing arteries, clean cuts that lack precision yet serve their purpose. Within minutes, he holds the beating heart in his hands.

     And still feels nothing.

     Well, what is the point of it all, then?

     (He remembers how she used to put her hand on his chest, palm down, feeling the love, their bond, sensing the rightness of it all, staring intensely into each other’s eyes—enraptured--we are one … and her cherishing it, him as well, so close, so close…. “Let me drown in you,” she would say, and he would plead, “Let’s drown in us, please” … and both of them meaning it, unconditionally, without fear because this is what people live for in the first place!)

     (And drowning now … drowning … flailing … sinking….)

     He walks calmly to the car and starts it up, pulling out of the parking lot. The night is deep and uncaring. Nobody notices because at least other people can sleep. 

     He hasn’t slept in weeks.

     He drives to where she lives. Sitting in the car, he stares at the house where she rents a room. 

     He scribbles a note on a piece of paper and exits the car.

     He places the still beating heart at the foot of the door with the note. 

     No reason to knock or ring the doorbell; let her sleep. Let them all sleep. 

     Maybe someday he will sleep again as well….

     He rereads the note: Since you own my heart, you might as well have it.

     Unhappy and exhausted, he leaves, his head still reeling as the freight train rolls by.  

     Perhaps this gesture will help her to understand. 

     Perhaps she will just scream.

     Numb, he drives alone into the deep and uncaring night….


So, there ya go. I hope you enjoyed my gruesome little tale. 

Here's a link to my Amazon Author page so you can catch up with what's already out there while I load the chambers for some releases sooner than later. 

Don't know who the artist is, but this is damn cool. 





Friday, October 30, 2020

Halloween Horror #2: "The New Kid"

 As promised, here's a second Halloween Horror for your reading pleasure...displeasure...disgust...er, whatever works. I wrote this flash piece a couple years ago for an anthology call for, if I remember correctly, PG-related or less tales, and I vaguely remember a campfire mindset as being part of the deal as well. Either way, it did not get accepted for the anthology, has been sitting on my laptop since then, and since I think at the very least it works, why not share it? Now, mind you, I write Very Adult fiction, so this was me tamping back some of my natural writer's instincts, haha, but it was fun and is rather creepy, fits the Halloween bill, so here ya go. The tale is called, "The New Kid."  

Enjoy!


 

The New Kid

By John Claude Smith

 

When you’re eleven-years-old, moving to a new house the day before Halloween is a big deal.  We spent that day and much of Halloween day unpacking boxes.  I grumbled about not being able to celebrate with all the rest of the ghosts and demons.  My mother, ever aware of her son’s love of all things scary, decided at the very least to purchase a few bags of candy and let me be in charge of handing it out to all of the trick or treaters. 

It wasn’t the same, but it would have to do. 

After a slew of five-year-old princesses, mini-vampires and various superheroes, some kids with really grisly make-up showed up.  They had peeled skin hanging from their faces, bones jutting out, eyes wide open with no lids, so they couldn’t blink.  That was just for starters. 

“That’s really icky, looks real,” I said, always one to like gross stuff. 

“Thanks!” a kid with his jaw split in half said, more so, slurred.  “My name’s Todd Richmond.”  He extended his bony hand toward me.  I couldn’t for the life of me figure out how he did that, made the bones look so real.  I shook his hand and said, “I’m Rick.  Rick Myers.  The new kid.”  I laughed, kind of nervous, but not really.  I was outgoing, had to be, what with all the times my family had moved because of my dad’s job.    

Todd stepped aside, and his band of gruesome friends gathered on the porch. 

“I’m Sandy Weathers,” a girl said, her left eye dangling by the tendrils on her bloodied cheek.  

“Mick Johnson,” said a tall boy whose torso was splayed open and spilling glistening guts. 

“Juan Lopez,” said another boy, the left side of his face…gone.  Each one, as they stepped on the porch, said his or her name and reached out to shake my hand.  I felt like I would fit in here just fine.

Finally, the last kid came up, a girl with long dark hair matted with blood and a stomach-churning chunk of brain hanging out.  Her face was all scraped up, like it had been used as a tire burning rubber to screech to a stop.  She even smelled bad, really bad.  I smiled and cringed at the same time.

“I’m Regina Prine,” she said.  “Welcome back.”  She held out her hand like all the others.  Two fingers were missing.  As I took it I said, “I’ve never been here before.”  She said, “I know.  You’re the new kid.”

That was odd, but before I could say anything else, they traipsed off to the house next door.

After the weekend, I made way to school for my first day.  I spent the first week getting to know the teachers and classes, but realized I’d heard none of the kid’s names from Halloween during any of the rollcalls.  I figured perhaps they were a year older or a year younger…or just had different classes.  Who knows? 

During lunch on Friday, I decided to explore the school, see what it was about.  I made way past lockers and down a narrow corridor by the administrative offices toward what looked to be a collection of medals or awards for sports and what-have-you. 

After inspecting them, I moved toward the end of the corridor, where there was a large plaque behind glass.  I wondered what award this would be for…when my blood turned to ice.

I immediately noted the names listed on the plaque: Todd Richmond, Sandy Weathers, Mick Johnson, Juan Lopez, Regina Prine, and more, but the first five names caught my eye as they were the names of the kids who had shown up at my door Halloween night.

And they were all dead.

But they couldn’t be.  The kids who came to my door were dressed up as the victims of a bus accident from a few years previous, as indicated by the plaque.  No wonder I hadn’t heard any of the names during rollcall.  Those kids were dead.  These kids were just cruel.

As I turned in disgust from the plaque, I saw a really messed up girl at the end of the corridor by the exit doors.  It was Regina.  She walked toward me.

“Why are you still wearing your make-up?” I asked.

She only shook her head.

I stood there like a statue, feeling uncomfortable and not really wanting to deal with Regina Prine if she was into such mean tricks.

As she neared, she said, “You know where this is going, don’t you?”

“What are you talking about?”  I fidgeted, tried to stand tall, but felt my legs wobble.

“We’re not cruel kids or mean kids,” she said.  I gulped, wondering how the heck she could know what I had thought.   “We’re just dead.”

“Excuse me, I need to go.”  I took a step to scoot by her, when two sets of hands grabbed my arms from behind.

“You just need a reminder.” 

Somebody behind me laughed.  I think it was Todd Richmond, as it had a slurry sound.

“Let me go,” I said, but my protests were useless as I followed her finger as it moved toward the plaque. 

I knew where this was going.  I always knew were this was going.  But ignoring it seemed a better option than confirming the obvious.

Her thin finger landed just below a name.  My name, of course.  Rick Myers.  I was a part of that tragedy. 

“This bus ride was your first and last with us.”

I knew this as I saw my reflection in the glass covering the plaque.  I had no nose, and the top of my head was sheared off.  The hands holding me released me.  I wasn’t going anywhere because you can’t run away from the truth 

“You’ll always be the new kid,” Regina said. 

“For ever and ever and ever…”


Fun, eh? 

O.o 

Anyway, if you'd like to read some of my more adult fiction, wellll...here's the Amazon Author page link. Go! Buy some! Make me rich! Or at least get something to give you the creeps this Halloween...or year-round. 

This art comes courtesy of John Kenn. 




Monday, October 26, 2020

Halloween Horror #1: "The Perfect Pumpkin"

 As I run my fingers through the cobwebs here, thought it might be an amusing way to kickstart this blog thing again, or at least for a while. We'll see. 

First up, an oldie but a goodie, or at least a creepy damn thing: "The Perfect Pumpkin." It's been published a few times, probably my most reprinted piece, actually. I mean in anthologies and not just on my blog, of course.

In a few days, I'll post another Halloween horror tale, a flash piece. But for now, here we go. 


The Perfect Pumpkin

by John Claude Smith

 

 

“If it wasn’t a week before Halloween, I’d be scared crazy.  But I know you well enough, Danny, to know that you like to tell stories, and I’ve already heard this one a dozen times over the last two weeks.”

“But it’s true, Melinda.  Cutter’s farm is where old Dr. Ranier does abortions, or at least did them.  Look, it’s perfect: it’s just far enough out of town as to be kind of anon … anonymous.  He used to be a doctor, a…a baby doctor—”

“Obstetrician.”

“Yeah, yeah, an obstetrician.  And he was disbarred—”

“That’s for a lawyer.”

“Well, shit, Brainiac!  He lost his license and moved out here, about ten, maybe twelve-years-ago, and since he’s not really a farmer, he has to have some income, so he—”

“So he sets up office as a country abortionist.”

“And the babies are supposed to come back to haunt anybody who trespasses—”

“Stop!  I’ve heard enough.  He must be doing some farming now, otherwise, where’d all these pumpkins come from?” 

“I dunno, they must grow wild.  Creepy stuff, eh?”

“Just nightmares or rumors.  Made-up stories meant to scare teenagers from having sex, and in this case, ‘cause of the abortionist slant, getting pregnant and all that.  Kind of a gruesome safe sex message, don’t you think?  And isn’t that what all horror stories made primarily for teenagers are up to, anyway?  Just like in the movies, if you’re a teenager and you have sex, the boogyman’s gonna get you—ooooOOOOOoooo, I am so frightened.”

With whiplash precision, she shifted her attitude from mockingly scared to salaciously seductive, easily distracting him.  “Danny, oh, Danny, bab-eeeee...” She purred the last syllable, long and languid.  She grabbed his crotch, squeezing hard, whispering something nasty and oh-so-enticing in his ear.  As his penis turned to steel, his brain turned to mush.  

Having gotten his attention, she let go and backed away.  “You gonna help me get a perfect pumpkin from this patch or not?”

“What about my—”

“Later, big boy, when we’re out of range of any sexually oppressed boogymen disguised as abortionist farmers.”

 Danny Cruise peered out at the fog-mottled field, wispy tendrils like plumes of thickening smoke eerily weaving through the pumpkins, looking like a congregation of ghosts…or a herd of monstrous beasts lashing the pumpkins with writhing tentacles.  His imagination sprang back to life with a potency that unnerved him while coinciding with the deflation of his penis.  Melinda Harner, his girlfriend, folded her arms across her burgeoning bosom, trying to fend off the October chill.  She peered at him, obstinate in her quest to obtain the perfect pumpkin.  Now that she had spotted what she claimed was the most perfect pumpkin for miles around, in which she would carve the winner in the school contest, something that brought a wee bit of fame in a small town like Bloomfield, she was dead set on obtaining this pumpkin, and only this pumpkin.  No other pumpkin would suffice.     

Danny hopped over the barbed-wire fence, ragged metal tips ripping two fingers.  He winced, put the stinging fingers in his mouth, and sprinted toward the fog-embraced pumpkin patch.

“Which one did you want?”  His voice seemed not to carry, trapped in the puffy white shroud of fog.  But it did carry, and she responded

“There,” Melinda harrumphed, pointing to his right at the perfect pumpkin for her to carve a masterpiece.  Her voice hit Danny with the force of a thunderclap; goosebumps tickled his flesh. 

After having heard about the fat, perfect pumpkins in this patch, as well as the sordid recent history of the farm via whispers in the hallways at Lincoln High, anxiously retold by Danny mere minutes ago, Melinda knew she had to check it out.  Her nature was competitive, and she was always looking for that special edge.  If this patch had the perfect pumpkin she coveted, she knew the edge would be hers.  No horror stories were going to stand in her way.  

“Here?” he said, pointing at one of the dozen or so seemingly perfect, unblemished pumpkins in the direction she had pointed.  How could she even tell the difference?   

“No, there,” she bellowed, the volume almost knocking him over again.  It was cold, and he was tired and if he didn’t really love her, he’d already be anywhere but here with a space heater melting his icy flesh and thawing out his freezing blood. 

Without speaking, he pointed, and she nodded her head, yes--thank God!  He pulled out his switchblade and cut the coarse vine, trying to disengage the pumpkin.  After a brief struggle he was victorious, but noticed he’d smeared blood from his sliced-up fingers all over the ragged stem.    

He plucked it from its roost, amazed by its weight.  It was about as big as a slightly super-sized basketball.  Not huge, but its heft made his arms ache.  She better be really appreciative for this, he thought, and ran back to the fence.  He handed the pumpkin to her, so he could hop over the fence again.  

“Careful, it’s heavy,” he said, as he put it in her eager hands.  She grunted and agreed.

“Damn!  For its size, that’s gotta be the heaviest pumpkin I’ve ever felt.”

Danny braced himself and leaped, this time with even less grace, catching his foot and plopping down hard on his butt.  Melinda laughed at his awkward predicament.  He frowned at her.

“What?  I do this favor for you and you laugh at me now, ‘cause I’m cold and tired and…”

She leaned over and kissed him on the forehead as he brushed the weeds out of his hair and clothes.

“Carry this, would ya?”  More insistent than requesting, already handing him the pumpkin.

“I’m just your slave—”

“Slave to my beguiling charms.”  She put on the act, puppy dog eyes and pouting lips on full display. 

They started the two-mile trek back into town, their pace brisk, trying to keep warm.

“It’s probably cursed.  Probably why I tripped up going over the fence.”

“You’re just clumsy.  There’s no curse for takin’ a pumpkin.  No dead babies gonna haunt you.  I’m just gonna carve a winner out of this one.”

“That stuff is true.  I mean, all that about Dr. Ranier doing abortions and stuff.”  He put his fingers in his mouth again, balancing the pumpkin against his chest.  Apparently, the cuts were deeper than he’d thought, and continued to bleed profusely. 

They both fell silent for a handful of minutes, purposeful strides taking over as the night grew even colder.  The overcast skies portended rain and they just wanted to make it home before it started. 

And then Danny stumbled, dropping the pumpkin.  Not hard, catching it before it really hit the ground, but enough to have it land with a leaden thump on the dirt.

“Damn it, klutz!  Do you need walking lessons or what?”  Melinda was beside herself with anger, squatting to inspect the pumpkin.  All this for naught, she thought; all this for naught.

“Shit, Melinda.  It’s not like I meant to—”

“You bleedin’ on it?”

“Yeah, cut my fingers on the fence, bled on the stem.”

Melinda scooted away from the pumpkin, inexplicably alarmed.  “How can that be?  The pumpkin’s got blood comin’ from inside.”

They both watched as a thin line of blood trickled from a miniscule crack at the bottom, where it had hit the ground.  The red liquid pooled in the dirt.

“T-That’s impossible,” she said.  “Can’t be any blood comin’ from inside a pumpkin, only pumpkin, seeds and all.  You must have bled a lot more than you thought.”

She forced a smile, obviously in denial of what she was witnessing.  More blood seeped from the crack. 

Danny pulled out his switchblade and approached the pumpkin.  He knelt before it, not sure what he was going to do, but feeling safer with the knife in his hand. 

“Danny?”

With suddenness, curiosity took over, and he plunged the knife into the thick hide of the pumpkin.  Blood gushed out, mixed with another unknown fluid that diluted the crimson tide, along with stringy pumpkin guts and pumpkin seeds, spattering the dirt and his shoes.  He pried with the knife and his fingers, pulling the pumpkin apart. 

“Oh, Christ!”  He moaned in revulsion at what he saw. 

Melinda squealed, “What is it, Danny? What is it?”

The pumpkin had split wide open like a cracked egg.  Danny jumped to his feet, hands dripping wet.  An intolerable stench was belched from within the split pumpkin, forcing him to cover his face with his sleeve, while Melinda openly retched, dry and empty.  She was on her feet as well, fingers digging crescents into Danny’s arms.  He didn’t feel a thing.  They both just stared in horror and disgust.

Within the womb of the pumpkin, entwined within a network of ripped veins, a ruptured clear sac, and pumpkin guts and seeds, two large yellow eyes, like jaundiced moons devoid of pupils, attempted to blindly seek out the source of intrusion.  It probably did not see them, thought Danny, as his stomach roiled like a fist-sized hurricane, battering his insides. 

It was a fetus, a mutation of inconceivable ugliness borne of nightmares and rumors and curses made real. 

“Oh my God, Danny…Danny!”  Melinda cringed, teetering on hysterical.

The obscenity, skin stained with blood but otherwise as orange as a healthy pumpkin, turned itself in the direction of Melinda’s voice, the tiny holes where ears should be steering it in their direction.  Gurgling noises emanated from its throat, wet sounds and orange spittle passing by its lipless slit of a mouth. 

“We need to go--now!”  Melinda, beside herself, doing a nervous dance of desperation.  She wanted away from here posthaste…or sooner!       

“Wait,” Danny said.  “I think it’s trying to say something.”

Melinda pulled harder on Danny’s arm, afraid to leave without him, the night and clouds and vast darkened landscape uninviting despite her urgency to run as far away from here as possible.   

“C’mon! Let’s go!”

The sound that rose from the baby’s mouth unhinged the muscles in Danny’s legs.  He slumped to the ground, transfixed by the fetal abomination squirming and convulsing and hideously alive within the pumpkin.  Melinda tumbled with him, but not for long.  He scrambled to his feet and dragged her to hers, his feet pounding the dirt like a chorus of hammers, matching the freight train rhythm of his heart.  His swiftness almost lifted Melinda into the air as one would a kite.   The utterance repeated again and again--insistent--scarred the night with its cawing message, resonant and haunting, cursing both of their ears forever. 

One word, only one, but Danny and Melinda would remember it until the day they died. 

“Daddy,” it screeched, it begged.

“Daddy!”      


I hope that creeped you out in a good way. I'll hit you with another trick or treat flash piece in a couple days. 

It would be remiss of me not to link you to my books. Here's the Amazon Author page link, so you can check out Occasional Beasts: Tales, The Wilderness Within, Riding the Centipede, Autumn in the Abyss, The Dark is Light Enough For Me, and some anthologies in which my tales appear. 

As I check before publishing, not sure if the link is working, so here ya go: https://www.amazon.com/kindle-dbs/entity/author/B0065PB94K?_encoding=UTF8&node=2656022011&offset=0&pageSize=12&searchAlias=stripbooks&sort=author-sidecar-rank&page=1&langFilter=default#formatSelectorHeader





Tuesday, September 17, 2019

Happy First Birthday, Occasional Beasts: Tales!!!

Yes, it's been one year since my fifth book, Occasional Beasts: Tales, was released into the wild by my wonderful publisher, Omnium Gatherum. I believe it contains a lot of my best fiction, including personal faves, "The Glove," "The Wounded Table," "The Land Lord," "The Johnny Depp Thing," "Beautiful"--okay, you get the gist. 14 tales, 4 published here for the first time.

Have you read it? Have you reviewed it? I

Here's links and snippets to a few reviews to whet your appetite, just in case you haven't read the collection.


"For a few years now, I have been a big fan of John Claude Smith's twisted view of the world. This collection of tales only serves to remind me how skilled, (and twisted!), he really is."

Read the whole review at Char's Horror Corner.



"John Claude Smith’s new collection Occasional Beasts: Tales fearlessly explores themes of transformation and transcendence through a menagerie of monsters that are supernatural, human, or often something in-between. Like peering into a darkened aquarium or down a misty alleyway, dark things lurk behind the grit and ragged edges of Smith’s physical and psychic environments. When those beasts pounce, however, Smith’s creation of indelibly horrific images is second to none and the result is satisfying horror with hidden depths."

Read the whole review at Hellnotes.


"Occasional Beasts is a relentless collection with wonderful proses and horrifying images sprinkled throughout. John Claude Smith is in such command of his craft, with each of the fourteen stories proving this."

Read the whole review at The Horror Club.


Just a few, but again, if you've not picked up your copy, by all means, please do.
Here's the Amazon link for Occasional Beasts: Tales.

My Beasts look forward to spending time with you...

Here's a Fabulous photo of my girlfriend, Alessandra, with some fella named Lansdale. With the book, of course! In Rome as well!

;-)