Thursday, May 15, 2014

A Subtle, Surreal Flash Fiction Story: "Tumbleweeds."

I've posted this before, but figure since that was a couple/few years ago, let's re-acquaint ourselves with this surreal lil' horror tale.

I was reminded of this the other day when I commented on a thread on FB how the Original Outer Limits left a big impression on my wee, warped mind, remembering afterwards an episode with sentient tumbleweeds or some such thing, and how I am sure something from way back then influenced the tale that is the focus of this blog post.

Is it just blog or is it post or blog post? Ahhhh, thinking out loud.

Anyway, I was also reminded of the title story to my new collection, Autumn in the Abyss, and how it goes surreal toward the end, what with an appearance by Jack Kerouac and, well, you'll have to see.  If there's such a thing as Extreme Surrealism, it might qualify, haha...

Anyway, for your reading pleasure or amusement or brow-furrowing WTF was that, John Claude?, I give you "Tumbleweeds."  Originally published in the Small Bites anthology from around 2005, I believe.  An oldie but not bad, not bad at all.

500 words and...

Go!

***



Tumbleweeds

By John Claude Smith

 

 

 

     The red mottled diaper rash that had spread down Tommy’s thighs inspired cacophonous vocal complaints from the baby. 

     “Darrin, he needs his ointment and a change.  What are we going to do?” 

     They both froze as the feverish wind continued to howl and lash, tumbleweeds bounding like stray beach balls across the strange, full-moon bathed luminescence of the desert.  But the howling that most perturbed them had nothing to do with the wind.  It seemed there was a pack of coyotes prowling the perimeter of the tiny ramshackle shack. 

     A pack of coyotes whose presence remained a mystery. 

     The car had broken down twenty yards from the shack.  Lacking a cell phone connection, Darrin and Carrie, with baby Tommy in tow, had made a dash to the shack for the slim possibility it would have a phone or, at the very least, that it would provide a more comfortable shelter.  They were wrong on both counts.  There was no electricity in the abandoned shack and the one glassless window permitted the wind’s turbulent trespass as it rustled dust and debris within the cramped confines.  They even had to prop a wooden chair against the door to keep it shut.  

     Now, with the desperate, forlorn howl of the coyotes resonating all around them, any trek back to the car to retrieve the diaper bag, idiotically forgotten in their haste, seemed unlikely.  And yet, as Darrin peered out the lone window, all he saw were loping tumbleweeds. 

     Tommy increased his volume, drowning out the coyotes’ chorus.  Or had they retreated?  Minutes passed in which only Tommy’s harried screech and the whining shriek of the wind battled unsuccessfully for dominance.  Darrin’s squint-eyed perusal out the window still revealed no sign of coyotes.  He had yet to see any, having only heard their agitated wails.          

     “I’m going to chance a run to the car.”

     Carrie hugged the bawling baby.  “Are you sure?”       

     “I think the coast is clear.”  

     Without hesitation, Darrin moved the chair and darted out.  Carrie yelled, “Be safe,” and re-propped the chair against the doorknob, all the while feebly attempting to pacify Thomas. 

     Instantly, the coyotes commenced with a caterwauling racket, accentuated by Darrin’s anguished, stunned cries.  Carrie gasped, clutching Tommy tighter.  She heard meaty ripping sounds, distraught yelps from Darrin, and finally, silence.  Even from Tommy.

     It seemed the wind even paused, before brusquely shaking the shack some more.

     There was a dull knocking at the door. 

     “Darrin!”

     She glanced out the window—no coyotes—and swiftly, anxiously pushed aside the chair, prepared to drag Darrin in with her free arm if necessary.  The wind shoved the door open.  She did not see him.         

     “Darrin?” 

     A tumbleweed struggled against her ankles.  “Help me,” it pleaded, in Darrin’s voice.

     “Oh…my…” she whispered, dumbfounded.

     Looking out at the tumbleweed cluttered landscape, she noticed with shock and bewilderment that none of the tumbleweeds were tumbling to the wind’s relentless caress anymore. 

     They were slowly, steadily pacing towards the open door.    
 
 
***
 
Creepy, eh?  Surreal, for sure.  I like what that does even now. I can't say that about all of my older fiction, but this one brings a smile.
 
A new blog/post/blog post/dear god(s) what do we call it? will be up soon; sooner than this one. I am thinking a Horror Book Recommendations list and/or/and one for catching up on the reviews for Autumn in the Abyss (here's the latest Goodreads review; great stuff, eh?) and I really need to catch up on publications, stories just out and upcoming...and even poetry.  So, a lot waiting in the wings, but for now they will glide above us awaiting my next blog/post/blog post/help, please help...
 
Here's a house under attack via those nasty tumbleweeds.  I told you they're sentient... 
:-P :-)
 
 

Friday, April 25, 2014

Part 3 (The Finale) Of My H.P. Lovecraft & Hunter S. Thompson Mash-Up, "The Shadow Over Las Vegas."

You ready? 

You only think you're ready.  Trust me. Nobody's ready for this madness. 

First, let's take a deep breath before leaning back and strapping in (and, my, doesn't THAT sound like fun...er...wait, what?) and let me say if you are enjoying this, you might enjoy my new collection, Autumn in the Abyss, too. I mean...Jack Kerouac, or someTHING(s) using his form, make(s) an appearance in the title novelette.  Darker stuff, but bound to literary influences.  You'll see...

Okay, now that you've checked the book and fallen in love with the Sexy Beast on the cover and ordered a copy, allow me to intruduce you to...The TRUE Great Old Ones!

Yeah, when in Vegas--Holy Shit! Is that...? 

[lifts the cosmic veil.  Oh, yes, yes...it IS!]

Enjoy!

***


3

 

     The main event, a cavalcade of Marilyns stomping across the stage, each one made to pout and prance and eventually end up above a grate that shot hot air into their nether regions, lifting their dresses to panty revealing height, much to the delight of the ogling eyes of those in the audience, as well as the so-called judges, a collection of  bottom tier celebrities, no names and nameless, forgettable sorts who gained fame hosting this or that game show, acting on this or that demoralizing “reality” show—really, nothing real there, try these drugs, they will show you things to make your pubes straighten—essentially filling space in the ever obese celebrity fifteen minutes of fame warehouse, was hosted by Mr. Warhol who understood the value of nothing and so made nothing his goal.  Talent, who needs talent? We’ve got faces and bodies and desperation on display and wouldn’t you like to be a star?  And what if they saw what I saw on these drugs, star-bodied creatures, fish-eyed with twinkling intent and who knows what purpose?  Observing this chow line to Hell, Nietzsche’s edict made concrete, the abyss not only looking back but laughing at us—humans--for the folly of our deteriorating existence, I felt the fear escalate; or was that disgust?  I mean, could we not expend a little compassion in this commemoration, instead of making it an extended sales pitch to 21st Century Fox and NASA, “Here, here’s your new star, she’s Marilyn incarnate.  Eat her soul as well.  Make her a star, or send her to one…”

    Pathetic I say, but my take on it would be more succinct: place a bed on the stage and make all of the Marilyns strike a death pose, clothing optional...except for the Marilyn I saw with the Disney-inspired anomalies. 

     What was I doing here?  People watching again, that was always the point of it all anyway, watching the natives stumble like drunken giraffes, flirtations bandied like bad sitcoms, a paradox if ever there was one: the mere format zeroed in on the lowest common denominator; and worse yet, watching the ugly make connections that should short out the electricity in every neon sign in Vegas if their copulating culminated in procreation but no, procreation was not their goal and so, if any sperm won the battle and invaded the egg, I was sure a morning after pill or a clothes hanger three months later would scrape the evidence away.

     People were my business. That and drugs.  Business was plentiful in this obscene parade of demoralized wannabe stars.  Stars, like what the yigs always made me see. 

     My attorney seemed particularly giddy this evening. As we awaited the event’s commencement, we grabbed a table with “Reserved for Josh Brande” posted on it--Brande’s claim to fame: former game show host, hidden video victim caught with his pants down in a most unflattering situation, culminating in a CD release of sappy love songs, his feeble warbling seeming more appealing to weasels than humans--and scribbled our names on it instead, blacking out Brande’s name, only to be accosted by Brande and causing a scene in having him escorted away for impersonating himself: “That’s the man, the imposter: Brande is in Hawaii, we have his itinerary here”—waving my notepad about as if any information within would verify anything passing from my lips—“and the police have been looking for him ever since.” 

     My attorney, giggling now: “And be sure he gets the full treatment, anal probes and gloved fist inspection, that’s where he keeps his stolen Screen Actors Guild card!”

     Brande looked befuddled but it’s probably the best (only) real publicity he (or his imposter?) has had in years.

     Our vibrations were shaky, impatient.

     “Stop this charade and get to the point!” I yelled, toward the stage, where some preliminary entertainment, as in not really entertaining but filling space, had dragged on for way too long.  My attorney handed me a couple of flat green pills that looked like miniature pyramids and said, “Take these.  You’ll really like these.”

     So, the time had come.  I was not about to turn him down, but now it was my time to make a move as well.  I may have seemed oblivious, but I was not dim beyond the duty at hand; I had been debriefed about events in motion, I just did not think it would really come down to me—where was LeGrasse?

     I stopped a long-legged waitress in full gallop with a “Whoa, darlin’,” and set the table for our defense: in defense of the human race.

      “We need two Grande triple shot espressos, double whip, jigger of soy with a pinch of almond and caramel and adrenochrome, and snap to it!”  It was a ridiculously unrealistic concoction, but the waitress only giggled and snapped gum, able to walk and chew with a modicum of efficiency.

     My attorney grew gruff.  “You know how I get around that stuff.  It makes me gassy and my brain hurts and…I want to be in control tonight.”  But he was already losing it, I could tell.  His resistance was already crumbling.  The Starlight Circus’ version of Starbucks was geared toward the space crowd, aliens and astro-wannabes of every sort.  Starbuckaroos: cosmic coffee for space jockeys, grim grounds that left a black hole in one’s soul.  I’m sure this would make him see the truth.

     It would make him see the True Great Old Ones.

     But I could use some help in my simmering battle, not sure how this was going to pan out and why did the FBI even think I could pull this off? 

     LeGrasse, my FBI connection, was supposed to run things, but since he was nowhere to be found, it was all up to me, and I only wanted to watch and ingest more drugs, as I had always done.  Of course, the FBI’s insistence that they could get me any drug imaginable, without recourse, was incentive enough for my cooperation.  But still…where was that fool?

     Our waitress slinked up and set our drinks down.  I paid her and patted her ass, “For luck,” I said.  I was going to need it.

     My attorney and I stared into each other’s eyes, searching for something, making a deal, unspoken, but understood.  We both knew where we stood: with our asses planted firmly in these too hard chairs as the cavalcade of Marilyns began to prance over the grate, and the hot breath of lust blew warmly onto their straining thighs, moistening their objectives. 

     After a slight diversion, entranced by the morbid exhibition, I returned my gaze to my attorney’s.  He had never broken his.  He spoke.

     “I will not drink any of this.  I cannot drink any of this tonight—”

     “Why tonight, my friend?  What’s so special about tonight?”

     As if playing it off, he said, “Nothing special, I’m just…” but words escaped him.  He drooled as the drink, one he had never tasted before, awaited his slithering tongue’s approval.  I had to find a way to break his will, to make him drink, to make him see the truth.

     To save the human race.

     “I’ll make you a deal.  I’ll take these pyramid-shaped pills—”

     “Nyarlathoteps,” he said.

     Nyarlathoteps.  Sounded vaguely Egyptian to me; my perceptions were still sharp. 

     “I’ll take these Nyarlathoteps as long as you drink some of that delicious, mind-altering, hallucinatory liquid magic.”

     He shivered as if a chill ran through him.  His drool was collecting in his massive belly, dripping further, a waterfall of desire. 

     As he continued to quiver, his will being broken by the smells and promise of exotic tastes within the cardboard cup, I tried to play it off as if nothing more was in motion, turning to see the most hideous sight imaginable on the stage.

     “Shades of J. Edgar Hoover, LeGrasse, what are you doing up there?”  But it was obvious what he was doing.  LeGrasse, my FBI connection, was wearing a dress and doing his best Marilyn impression, stumbling over stilettos and mortifying myself and all within reasonable viewing distance as the grate blew up his skirt and the stuffing in his white panties--not an FBI registered gun for sure--throbbed with a life of its own. 

     The groan that passed through the casino was of an eldritch resonance rarely heard.

     LeGrasse winked and cooed, “Hollywood is a place where they’ll pay you a thousand dollars for a kiss and fifty cents for your soul,” puckered, and blew me a kiss, on the house.  I ducked, not wanting this sorry fool’s wayward affections to corrupt my flesh or focus: I knew his soul was already girdle-squeezed and shrinking with every wobbling stiletto step.     

     I turned back to my attorney, knowing full well that threats without follow-up were worthless.  I raised the two Nyarlathoteps to my lips and popped them into my mouth.

     My attorney took this as his cue to give in.

    “Shit!” he growled, taking the cup and tossing the whole thing down his throat.  He smiled and leered and attempted to grab mine as well, but I needed the caffeinated potion in order to counteract all the drugs that came before and direct the hallucination in progress.

     We were linked as one, my mind and his, mine in the driver’s seat.  His, trembling in the backseat, wishing it were in the trunk.    

     In our eyes the ceiling opened up, and a universe of stars seemed to align themselves in ways I could never imagine. 

     “The stars are right, the stars are right,” screamed my attorney.

     “Not quite,” I said, smiling as satellites within the star systems neared us.

     “What?  What is that?” My attorney scooted under the table.  Around us, people grumbled at our antics, not understanding the magnitude of what was unfolding within our vision.

     The True Great Old Ones ambled into view.  My attorney let out a sound drenched in such fear as to demote all previous definitions of the word to obsolescence. 

     It stumbled from the right side of the sky, the drunken master of dulcet blandness: Dean Martin.  From the left, the hideous cyclopean essence of the ebony one: Sammy Davis Jr. 

     My attorney whimpered with such abandon as to lose all hold on his masquerade, dissolving into a diseased, writhing mound of chum, a squiggly conglomeration of fish heads and tentacles and fins, flaking scales, aged green sea-algae, and serpentine madness.     

     From dead center, the ultimate in crooning egotism, the Lord of Las Vegas, the Grand Meatball…the dread that is--

      “Sinatra!” cried my attorney, falling under His spell.  “Sinatra!”

     As my attorney thrashed about, whiplash tentacles decapitating enough Marilyns to make this more a Jane Mansfield memorial the audience scattered, miffed. 

     All that was left was to let it play out.  As the concert went on--the celestial serenade--my attorney began to melt, captivated, and yet the spell they cast was the one thing that could deter his quest for world domination.   

     The stench attained a pungent magnitude that assaulted my nostrils.  The percolating eddies of his essence reverted back to their primal form, the first boiling seeds of life that swam in the seas.  I doffed my hat in remembrance.

     “You gotta clean that up, buddy,” said one of the casino bosses, dressed in a space suit and looking quite orbital, staring bug-eyed at me through his helmet. 

     “Do you know what I just did?  I just saved humanity from an eternity of slavery at the hands of the Lovecraftian version of The Great Old Ones—”

     “Yeah, yeah, well, we’re trying to put on a show right now and if you’re not going to at least sit down, I gotta ask you to leave.  I mean, there’s a stage full of headless Marilyn Monroes about to do a chorus line and…”

     His rambling fell on deaf ears.  I should have known better.  I was drafted into the role of savior, and what does it get me?  Ignorance from the very beings I was meant to save; annoyance from those who I had just rescued from the infinite drudgery of sub-human existence, cowering at the fins of the slobbering Great Old Ones.

     I felt myself shudder at the bad choices I had made. 

     I wanted nothing more to do with this pitiful race.

     I looked to the floor and my dead friend—yes, he was my friend, even if his intentions seemed nefarious, even if he probably would have eaten me at some point, he was a better friend than any of these castoffs and dilettantes salivating over the obscene display on the stage to my left.  On stage right, the grumbling persisted.

     I grabbed a menu and the marker we had used earlier as I stared at the still singing True Great Old Ones—corrupt, deceptive bastards, all--and began to float toward the stage in the skies.

     Passing by Sinatra, He winked as did Dean Martin and Sammy Davis Jr.--a momentary flux of blindness that shadowed the whole menagerie in the blackest gulf imaginable.  I gave them the single finger salute, the same one I felt inclined to flip toward the confused mob below me, growing smaller as I surged toward the stratosphere, and as insignificant as insects—I wanted to crush them all.

     Floating onward, I popped a few more shub-niggaruths, a few yigs, took a drink from the Milky Way, and decided anywhere but this ignorant galaxy was fine by me.

     “I hear there are great drugs in the great beyond,” I said. 

     “That’s true, but rumor has it that it will cost you your humanity,” Sinatra said.

     “Humanity,” I laughed.  “A cheap price for a good high.”

     He curled His brow as if a comet where streaking through it.  I held up my hand-scribbled sign, and He laughed, almost as if He understood. 

     I looked at it and smiled.  This choice could be no worse than the one I had foolishly made on Earth.

     I was a Man on the Move—rising higher, deeper into the stygian vista, referring to definition # 2, a., in Webster’s Dictionary: “dark and gloomy”—just sick enough to be confident, crazed…driven

     “Yog-Sothoth or Bust.”        
 
***
 
Well, now that you know the truth...
 
"The Shadow Over Las Vegas" was way too much fun to write.  Hope you all enjoyed it as much as I did having Lovecraft and HST trample through my brain and out my fingers via the keyboard.
 
Oh, the Josh Brande reference: in my first collection, The Dark is Light Enough For Me, Brande is one of the main characters in the final story, "Things That Crawl (In Hollywood)."  Yes, that's the story with the, um...the Mutated, Autononous, Still Living Body Parts of the Stars...and Brande's mutated body part, because of plastic surgery, is his...
 
Stop!  Don't give it all away, John Claude.
 
Here's Marilyn Monroe, that traitor, getting her groove on with some tentacled audience member, courtesy of artist, Edgar Sandoval.  I tell ya, it was a madhouse.  A Madhouse! 
Enjoy!
 
 
 

Thursday, April 24, 2014

H.P. Lovecraft/Hunter S. Thompson Mash-Up, Part 2: "The Shadow Over Las Vegas."

A long day, just in, not going to mess around.  What's that saying? Do you know how to make God laugh? Make plans.  Well, yeah, so, here goes, without further delay.  Digging deeper into the misadventures of our fearless, loathing-worth, something-or-other narrator as the drugs take hold in the City That Never Sleeps. 

Part 2, we're settling in, setting the stage...before Part 3, and True Madness.

Enjoy!

***


2

 

     My attorney had called in to the Starlight Circus on our behalf (NASA, in need of funding, had dropped the government and taken up with Vegas in mounting a more viable form of income), the event of which my reportage was deemed worthy being the 21st Century Fox/NASA sponsored Marilyn Monroe Weekend of Memories commemoration of the fiftieth year of her death, a perverse celebration littered with every conceivable Marilyn Monroe imitator this side of Jupiter, culminating in a contest to pick the very best Marilyn Monroe to carry on with a movie contract and manufactured career, and to promote whatever NASA needed them to promote.  Whores for the universe, prostitutes in league with Republicans, Satanists, and whatever other demented legions would flock to this horrid place this weekend.

     I always used a phony name when checking in during my writing ventures; my infamy was legendary, at least in my own mind.  But I did not always have a say in the name, especially if my attorney got hold of the reservations.  I looked at the piece of paper in which he had scribbled my nom-de-plume and cringed at his perverse humor. 

     “Sir,” said the fiftyish female hotel employee in charge of checking in the wasted souls, looking bored, but I was made squirmy by the bubbles rising to the ceiling as she harrumphed impatiently.

     “John…Wayne,” I said, hiding my face in shame.  I wondered how many others were checking in under the names of dead movie stars, self-destructive rock n’ roll musicians, or assassinated presidents.  My attorney laughed, slapped me on the back, and said, “C’mon, Duke, we can deal with this later.”

      I looked at him and could swear bubbles were floating from his mouth as well.  The ceiling was looking crowded.  I watched bubbles battle bubbles in a popfest of grisly proportions.  There was effervescent death everywhere. 

      I knew I should not have followed the shub-nigguraths with the yigs: if Las Vegas is no town for shub-nigguraths, it was definitely no place for the psycho-madness of yigs.  But they were the only ones handy when I reached into my pocket—and this, mere minutes after I had inspected the plethora of ingestible, mind-altering drugs in the trunk; idiot!  I was feeling like a rat in a cheeseless labyrinth, lost and confused.  What was I doing here?  What was the true purpose of this venture?  Would that demented fuck LeGrasse show up any time soon with answers, or would I just ride this one like an endless wave?

     After finding that we would have to deal with it later--our room was not ready--we wandered to the hotel bar, past hairy fish like beasts and star-faced denizens drunkenly swimming about.  I worried about my Acapulco shirt--would the colors run?  Would I run?  Was there any hope?  How long would it take for the yigs to run their insidious course?  I’d only taken two, but two amidst the constant ingestion of drugs over the last twenty-four hours must have been two too many. 

     I began to do the breaststroke across the bar, much to the annoyance of the fish-eyed denizens in attendance, when my attorney turned to me and said, “I advise you to head to the room now, before you get yourself killed,” and tossed me a green key that felt like the weight of the world--and me no Atlas.  I dragged the key on the ground as I slinked out of the bar and made way to the elevator.  One of what I expected would be the deluge of Marilyns was stepping out of the elevator, her dress showing much cleavage, and I sniffed her there, wondering if that is where they had hidden the Zapruder Tape—or possibly the lone gunman--and she said, “Oh, Mr. President, wait until Jackie and the kids go to bed.”  I pulled back, having almost been stabbed by her nipples; nipples that pushed at the fabric with impressions more akin to Mickey and Minnie Mouse.  I closed my eyes and yelled, “Disney have mercy!  Take these freakish things away from me!”

     When I opened them again, I was on the bed in the room, a pillow case stuffed in my shorts, mustard spirals decorating my nipples like exploding solar systems—no famous mice here, only condiments--and my attorney sawing wood in the same dissonant timbres as his singing.

     “Wake up!” I said, kicking at him.  “We have a job to do and…your snoring is the most horrible thing I’ve heard since your singing.”

     He smiled and pulled a harpoon gun from under the bed.  “Don’t make me use this.  There are plenty of scavengers hanging out at the window and I know they’d enjoy a little tender meat.”

     Tender my ass!  I was solid as SpongeBob SquarePants.  Squishy even.  I laughed, my mind skipping about and wandered toward the balcony where I saw them, these things crawling all over the window, eyeless, mottled flesh, flapping useless wings.

     “I need a drink,” I said, turning from the aberration, knowing I needed more than a drink.  But God would never show his face here.

     At least not the human incarnation of God. 

     It would all come down to me.
 
***
 
Tomorrow.  Oh, tomorrow... The final part is at least the length of the first two parts and, trust me, you don't want to miss it.
:-P  :-)
 
This handsome fella was found wandering through Vegas, looking for an All-You-Can-Eat Seafood place so he could feel at home...
Ahem!
 
 

Wednesday, April 23, 2014

H.P. Lovecraft Meets Hunter S. Thompson: "The Shadow Over Las Vegas."

Yes, been lean with the blog recently, let's get back to it with a story!  But...this one's longer than just one blog. The story is split into three sections, so let's roll with it like that, okay?  As if I can hear your response--a cheerful, "sure, John Claude," or a grumbling, "whatever."

The story is my H.P. Lovecraft/Hunter S. Thompson mash-up, "The Shadow Over Las Vegas."  This appeared in the excellent Cthulhu Unbound, Volume 1, from 2009.

I had received Terry Gilliam's mad cinematic adaptation of Thompson's Fear & Loathing in Las Vegas for Christmas a year or two earlier and had spent January the following year with that movie looped in my DVD player. Such a hallucinatory, madcap ride.  A few months later I had a passing throught, why not write a story based on Thompson's tale, but with Lovecraft riding shotgun. I re-purchased the book--one of my favorites--re-read it, and dived in.  This, my friends, was the demented result. Yes, I would probably tweak-edit the thing, but not messing with that now.

So...

Without further adieu...

"The Shadow Over Las Vegas" by moi!

***



1

 

     I had the fear….

     We were somewhere around Barstow on the edge of the desert when the drugs began to wear off, dissipating in dark, hallucinatory clouds, amorphous and alive.  I turned to my attorney, whose face had begun to melt into a writhing mass of tentacles and said, “You look a bit fishy; maybe you should let me drive.” 

     He shook his head—no--and grumbled something about feeling “gibbous,” strange word, that one.  I suspect it was definition # 2 in Webster’s Dictionary that most suited his condition: “More than half but less than fully illuminated …” as in, not completely wasted—but we could rectify that problem.  He chattered something more about needing “drugs, give me more drugs,” arms waving around like pterodactyl wings, his ponderous girth making the car shake or…could it be that we were pushing ninety in a vehicle not accustomed to such velocity?  I popped a couple of shub-nigguraths (black beauties shaped liked scrotums) into his beak-like maw and he immediately transformed into something almost human again, bloated around the gills but nevertheless unremarkable to those of the Vegas grind—and that was where we were headed: Las Vegas.

     There were no innocents in Las Vegas, hence, no reason to pussyfoot around that stained label.  The innocence in Las Vegas disappeared upon birth, buried under lights of neon and assisted by one-armed bandits draining money, integrity, hope, and life itself, all for a silver dollar or three, or ten, or…   

     I took a couple of the shub-nigguraths as well, a bitter, chalky, furry flush down my esophagus—it tasted like goat semen (don’t ask; don’t ask!).  I was in need of something to curb these weird vibrations, but I knew immediately I would regret it. 

     With a rush like an avalanche of night, unknown constellations dripped from the midday sky, streaking the hot blue horizon with black slashes like scars that bled onto the gray asphalt beyond the Big Black Tsathoggua—our vehicle nicknamed for some such hirsute frog, so said my attorney (“it’s bloated in the same way”), laughing, amused by his bizarre brain.  We had rented the vehicle from a used car dealership in Los Angeles a few hours back, putting it on the card—our open-ended expense account: unlimited credit in the hands of such foolhardy tourists as us--sponsored by the editors of Miskatonic Today, some cheap exploitation rag into the likes of alien abductions, never-was celebrities, obscure cults, and endless Elvis and/or Jesus sightings in out of the way, rarely-trod-by-human places--mostly in the southern states of the US of A--and/or staring back from used diapers or the sweaty wife beaters worn by some illegal immigrant looking to avoid the publicity--but look what God has blessed him with.  I was sure, much to their chagrin, that the kind folks at MT would regret the free ride they were giving me, hence, us, but I was also sure that the work was going to get done in due time, so that’s the price you pay for professional gonzo journalism.  Anyway, there’s no sense in doing anything unless one does it right and we were well on our way to doing it right.

     At least, that’s what my attorney kept mumbling over Cthulhu Crushes and mescal poolside at the Beverly Hills Hotel this morning, something about the stars being right, almost right--right for what?  It was probably the alcohol talking, or perhaps he hadn’t had enough alcohol yet. 

     The hour was young, we had time.

     I was feeling a bit amphibious—in need of something to drink, to keep me in touch with my own humanity, not that I was in any way related to the Great Old Ones that my attorney incessantly rambled on about and so unashamedly called family— interstellar sea-faring folks, he said (whatever that was supposed to mean), and laughed again; strange—an excuse he used to explain his sometimes green appearance.  I could never blame the drugs; they only enhanced the overall tint.  My attorney was singing in some God-awful timbres no human should ever have to fathom; my nerves were doing jumping jacks, the paranoiac adrenaline rush kept me ducking the unseen, the unknown. 

     Our vibrations had amped into overdrive as I screamed for him to pull over; I could not take it any more.  The shub-nigguraths were a nasty drug for the desert and would be worse yet if they lingered into Las Vegas.  

     I stepped out of Big Black Tsathoggua and wandered to the back.  “Pop the trunk,” I said, and my attorney obeyed posthaste.  I catalogued the vast cosmos within, dark stars and darker suns, nectar from Neptune, aether from Aldeberan, acid-crystals from R’lyeh, fungi from Yuggoth, a whole fleet full of nebulous drugs and drink to be ingested during our working vacation, the only way a reasonable person could be expected to make it through something as insidious as the Marilyn Monroe Weekend of Memories spectacle, our reason for this expedition to the far side of sanity.

     It was going to be a long, long weekend.

 ***
 
So, we've started on our trip. Tomorrow I will get the second part up. Friday, the finale. The finale--oh, my! 
 
You'll just have to wait and see.
 
:-)
This picture is of a Cthulhu Crush, as mentioned above.  Live octopus optional...
(The image is actually by Medvedi Mihail.)
:-)
 

 
PS. Yeah, let's not forget. My new collection, Autumn in the Abyss, is garnering great reviews and word-of-mouth goodness. Buy a copy and read what all the fuss is about.  Or the non-fuss. Just read it, wouldja? :-P :-) Please and thank you!

Tuesday, April 8, 2014

Heavy Metal Horror: Axes of Evil: "Louder, Faster..."

Music is an integral part of a lot of my stories.  The arts in general, from music to writing, sculpture, painting, etc., are places my brain enjoys going as I explore characters imbued with a creative side that is often damaged...(or just damaged characters without any foundation based on some sort of creative endeavor, which has got to be worse. I mean, can you imagine going through life with no creative outlet?  What's the point?  Go to work, come home, have a beer, grunt at the wife, scratch your belly, watch a sporting event, have twenty-four seconds of intimacy...then drop to sleep to do it all again the next day.  No, sorry, not on my to-do list. Creativity is mandatory for self-exploration, self-expression, holding on to my sanity...and survival.  So...where was I?).  Anyway, to the point, one of the places I have gone to on occasion with my fiction is Heavy Metal.  I've done it a few times in short tales, with one more in the just released anthology, Axes of Evil.  The story therein, "Louder, Faster..." is probably my favorite of that noisy batch o' tales.  

I wrote the story after seeing a Metal show with my ex-wife's husband about a year and a half ago.  Something of the little venue, just taking in the condensed fury, the people, the noise, worked its way into my head and birthed this short story swathed in Satanic Metal...and Love, Sweet Love.  But not in a cheesy way, no.  This one's got an appropriate hard edge, and...er, wait! I can't give it all away.  Let's just say it's an odd one, for sure, and one I think you'll enjoy. 

That said, check this TOC. There's lots to enjoy:

1. Introduction by Alex S. Johnson
2. Mourningstar by Del James
3. All the Rage by Lindsey Beth Goddard
4. The Plaster Casters Rise Again by Persiphone Hellecat
5. The Cold and Lonely Tombstone of Angus Smith by Jeff Ö’Brien
6. Battle of the Bands by Joel Donald
7. The Doom to Come by Andrew Freudenberg
8. Sinister Cavan by Jim Goforth
9. Beyond Death by Chuck Rios
10. Rio Grande Blood by Chris Kelso
11. Tones of Skin and Bones by Michael Faun
12. Seven Goats by Mathias Jansson
13. Louder, Faster… by John Claude Smith
14. Ex-Punk by MP Johnson
15. An Unholy Statement by Kerry GiantSquid Lipp
16. Keltorrian by Jacurutu Scarry Garry-Shinigami Twenty-Three
17. Let Him Who Hath Understanding by Sylvia Bourgoin
18. Frygga: Dreams of Fire by Christine Morgan
19. Death Call by Christopher Hivner
20. Gargamathanga by Martin Garrity
21. Backstage Passes by Anna Haney
22. Rita by Mimi A. Mimi Williams
23. Die, Clown, Die! By Alex S. Johnson
24. Once Bitten, Twice Shy by Charie D. La Marr
25. Rock and Roll All Night by Sephera Giron
26. Hardcore Crust by Terry M. West
27. Unholy Concoction by Robert Holtgrewe
28. Axes of Discordance: A Bangalore Story by Jayaprakash Satyamurthy
29. Crush by Selene MacLeod
30. Harbinger Master by G Arthur Brown
31. The Dreadheads by Grant Wamack
32. Before the Ball by Ray Van Horn Jr.
33. To Hell With the Metal by Sean Leonard
34. Extremophiles by Lucy Taylor

(Yes, that does say, Lucy Taylor; only one of the handful of Major influences on my own writing.)

So, what's keeping you?  Crank it to 11 and purchase Axes of Evil HERE.

Enjoy!




Monday, March 31, 2014

"My Writing Process" Blog Tour

The Excellent Horror Writer and generally good guy, Brian Fatah Steele, hooked me up with the “My Writing Process” Blog Tour.  Thank you, sir!  He's got a bunch of stellar horror books out, just check his Amazon Author page and pick one or two or a half dozen to read. He knows how to wield some wicked words.  

I like what Brian wrote at the beginning of his post and will borrow it here:
"Blog Tours like this are simple. It allows authors to network, and more importantly, allows readers a glimpse behind the curtain. Not only does it give us a chance to discuss what we’re working on but how we’re doing it. No two authors create in the same manner, nor should they ever think they’re supposed to. So, jumping into the four questions…"

So, let’s get to the questions and see where it all leads, eh?  Also, these answers are where I am right now.  Over time, even a few days from now, if I was to think it out even more, my answers might be quite different. 

Shall we…?
 

What am I working on?
 

Is this a trick question? I am a writer who just released my second collection, Autumn in the Abyss.  Part of what I am working on is the marketing for that book.  But…that’s not what you are asking, is it?  What new writing am I working on?  I am in flux, yet focused within that mindset, wrapping up a story for one anthology request while doing some research for another anthology request.  There’s also the novel in progress that has William S. Burroughs as inspiration, though the writing veers more toward whatever mad conglomeration of influences that make up my writing.  Three perspectives, right now I am doing revisions—or will be, when officially back to it later this week—so I’ve split up the three perspectives into three files to make sure there’s consistency within the separate character chapters, then I will shuffle it all back together and deal with the finale.  Definitely the hardest thing I have ever attempted, at least where words are involved.  Add to that a bit of ad copy for the masterful dark ambient band, Inade, and mapping out the next collection—a counterpoint to the all male protags in Autumn, as females take the reins--and I would say I’m busy.  But busy is good and writing keeps me sane, so I’ll deal with it.

 
How does my work differ from others of its genre?

 
Clive Barker once said, “I forbid my mind nothing.” That is a starting point for most of my fiction.  Like his writing and the writing that most works for my mindset by others, and what I incorporate into my own writing, there’s a sense of being fearless with words.  I don’t flinch when what’s needed to be explored, no matter how visceral or psychologically dark, rises up and demands attention.  My writer’s mind caters to this type of thing as opposed to the same old, same old horror tropes, though I have on occasion utilized those tropes.  I also like to incorporate what I think of as the J.G. Ballard School of Observation (okay, I just coined it with this title, but that works, hehe…) into my stories, in that while most writers might look at a situation from the same angle, I like to approach it, as Ballard always did, from a completely different angle.  Uncover something unexpected.  These elements as well as the unique elements of my voice—we all bring our own voice, perspectives, observations, experiences, and obsessions into play with our words—make my writing distinctly my writing.        

 
Why do I write what I do?

 
Write the book you want to read.  Who said that?  Toni Morrison, perhaps; and many others, in a way.  That’s what I do with my stories.  I enjoy dealing with darkness, dread, and situations most dire.  And love.  And relationships.  And whatever it means to be human.  I write to learn more about myself with the possibility some of what I have discovered might work for somebody else and their journey in this thing we call life.  That’s the gist. 

 
How does my writing process work?

 
It is primarily organic and specs depend on whatever else is going on in my life.  I prefer early morning, fresh brain time, yet don’t get that much when the Real World intrudes and I need to deal with work.  Therefore, I take it when I can get it, an hour or two in the evenings, usually, and try to stay focused while doing that amidst a world of distractions.  Focus is key.  When I find myself slipping, I schedule writing time to make sure I stick to it.  It’s not a matter of Wanting to do it, that’s always, but writers know how even at that, we tend to wander.  Yet most of the time, I’m good to go on a regular basis. I believe in consistency more than waiting on the Muse.  Waiting gets nothing accomplished.  At least Being With The Words garners the possibility the Muse might say, hey, that’s good, let Me in on this fun.  The path for each story is different.  Some flow, some stutter-step.  Novels tend to flow because the word count does not matter and I let it all pour out.  Though, again, with the novel in progress, I have discovered a different approach is needed just to keep things somewhat aligned.  As in, I map out a few chapters, write a couple, trash the rest, re-map, and take it from there.  Some direction was needed at times, since the first draft without the finale is over 70,000 words.  Short fiction blossoms from a thought, an idea, an image, and the story takes hold as it needs. Since I write mostly organically, I’m often not sure where it’s all going, yet within the process, the story reveals its soul and I can add whatever’s necessary to make sure it makes some kind of sense to me.  And perhaps to the reader as well.

 
So, there, that’s it.  I don’t know how long this Blog Tour is going on, yet if you want to follow-up with something similar, by all means, do…and let me know when you have so I can check it out.

 
Upcoming blogs will feature info on the Axes of Evil anthology that includes my story, “Louder, Faster…” as well as that H.P. Lovecraft/Hunter S. Thompson mash-up I’ve mentioned I would post a couple times recently, aaaaaas well as much more on the new collection, Autumn in the Abyss.   (Of note, check the page: Amazon Finally got the Editorial Reviews updated, so now you can see what S.P.Miskowski, John Langan, and Joe Mynhardt have to say about the book.) (And purchase your own copy.) (Yeah, yeah, are we all salesmen now?)

 :-)

Here's a somewhat appropriate photo to accompany this piece, Blood-Stained Words by, it says, Andy Asylum.  

Enjoy!

 

 



Tuesday, March 11, 2014

Autumn in the Abyss: Teaser #5: The Wrong Place, the Wrong Time: "Where the Light Won't Find You."

My son says to me, "I have a title you can use for a story."  I glance at him, then back to the road and say, "Yes."  He says, "Where the Light Won't Find You."  I glance back at him and say, "Hey, I like that."

And we're off.

Later I am told that title is a line from a song by Tears for Fears.  No matter where he found it, it triggered something in me that blossomed at mega-warp speed.  I sat down on the Monday after he told me this, January 2013, and in one day burned through over 5,000 words.  The best word count writing day I'd ever had, though I am not a stickler for word counts. I believe when I am locked in the words flow, that's what matters.  But this one, it demanded to be told NOW!  Over the week that followed I rounded it into shape and it was done. 

It was also another story with an appearance by the curious Mr. Liu.  I don't use him as a crutch, his appearance, though often on the fly, is essential to what the story is trying to convey. This story is from a completely different angle then the two previous stories in which he appeared.  We've got our regular Joe, or in this case a regular Derek, headed to a movie theater after having an argument with his girlfriend.  We've got him being warned off of a specific movie by an Asian gentleman who does not seem to belong, yet he sneaks into that theater, to see that specific movie, and runs into all sorts of Chaos.  Wrong place, wrong time, pure descriptive madness. 

This was also a good story for exploring a more pure definition of what it means to be alien (I thinki I touched on this in the blog post for "Broken Teacup," too; excuuuuse me) (If not then, at some point. When? Doesn't matter.  It's my blueprint for writing aliens, though).  My take is direct and does not comply to any 'rules' one might deem necessary.  I mean, alien can be anything.  Anything.  The rules we use to define what life as we know it is like, what it takes and what is required NEED to be tossed out the window, shattering glass and expectations.  There's a moment in this story where something that is alien is described as a box-like creature.  There are elements that make that box-like Thang alive.  I remember my editor saying something to the effect...let me see.  She said:

"In Derek's position, I would be more worried about the monster that just finished with the big man or the herd of monsters hiding in the dark. The box doesn't seem like much of a danger." 

My response, in line with my thinking on what it means to be purely alien: 

My take is at this point, it is obvious the square-shaped thing is the one running the show here and if it seems angry, by the loud chattering, that would perhaps make me more fearful of it than the other monster.  The other monster may appear more gruesome to us, but since we are dealing with creatures outside of the norm--yes, that is a reason I made the square-shaped creature seem just odd, not scary--at least Derek gets that vibe here. " 

And now my font has gone all alien as well, besides bold for the point being made.  Point being, alien should be Alien, not subject to our rules, regulations, patented perceptions or Anything of that nature because it quite simply does not follow any of these.  Or it/they might, but that's the point. There are no limits. 

"I forbid my mind nothing."--Clive Barker.
Just felt like tossing that into the mix.   One of my rules for writing and thinking.

Anyway, here's a touch of our poor schlub in love as he sits in the movie theater with only one other person there and things kind of...tilt.

***
 
He tries to focus on the movie and not think about the guy behind him. After a couple minutes tamping down his agitation, he coughs and hears a tiny snicker echo in response. He catches his breath and again tries to focus on the movie.

On the screen, the guy with the professionally tousled, brown hair and the too perfectly trimmed twenty-four hour shadow is reading with a flashlight the last lines from something scribbled on the wall in too-runny movie blood. The plucky blonde who has uncharacteristically— for a horror flick of this meager ilk— not removed her skimpy baby doll tee hangs on his arm and every word. He says, “The dread is in knowing you will have to forever live where the light won’t find you.” The flashlight goes out.

The screen goes dark. Too dark.

After twenty seconds or so— twenty seconds that feel like twenty minutes to Derek— there’s a thump on the back of his seat. His heartbeat picks up its pace, attaining a strong gallop.

Another ten, perhaps fifteen seconds pass before the big guy sitting behind Derek, that mountain of a jerk, makes some hacking, gurgling sounds, as if he is pulling up a mouthful and is planning to decorate the back of Derek’s head with the green slime.

The silence heightens these strange, throaty sounds.

Seconds tick by; soldiers on a mission.

Then, the friggin’ jerk kicks the back of Derek’s seat. Tap, tap, tapping, as if those soldiers have picked up the pace to a jog, trying to catch up to Derek’s rapid fire, double-bass drum heartbeat.

Derek shoots straight up from his seat, turns to say something, anything, to this major fuckwad, no matter he is big as Godzilla, when he sees what is really responsible for the sounds.

Perched on the big man’s chest is
 
***
 
Well, if you want to know what's there as well as more about Mr. Liu, Derek, and That Which Lurks In The Shadows, including something shaped like a harmless box, well...
 
Here's the Amazon US link, my friends.  Also available via Amazon UK as well as the Barnes & Noble link, too!  It's only letting me put the hyperlink to & Noble, hope that works.  Oy!
 
As Clive has always reminded us, it's not just a harmless box...
Here's some Phenomenal art by Hector Pineda, a truly talented artist.  
Enjoy!