Sometimes, in the process of writing, I like to emphasize something in a story, kind of experiment with seeing if I can do this or that. One of the things we as writers must do to really bring a story to life is to touch the senses. About ten or eleven years ago, I got my brain re-wired for fiction writing again, after many years of music journalism. The music journalism taught me a lot about description; most of what I wrote was reviews, but I approached review writing in a different manner. Not simply writing about this or that instrument and how it works within the whole, though that was part of many reviews, but because a lot of what I reviewed was experimental music, music of sound and no lyrics, I created worlds out of these sounds. Alien lands and lands within the unexplored pockets of our own world, along with the strange creatures that roamed there, all inspired by what I heard. I actually expect to take some of these reviews and strip them to the core, use some of these descriptions in stories, perhaps. I've done a couple of poems constructed from these reviews, it's a lot of fun. Reshaping the words, my original words, into something new.
Anyway, where was I?
With that mindset, I wrote a story called, "He's Got The Whole World In His Hands," a light fantastical piece that put me to the test of touching the senses. I wanted smells, touch, sight. sound, and even a suggestion of taste, to pop with real resonance. Not sure if I succeeded, but at least it worked my brain in a good way, got me to think more about this kind of thing. Recently, I took that story, and, knowing it needed something more, just a wee bit of something to really drive it through the finale, I tweaked it, added a little bit, just enough, to give it what I think is the edge to put it over the top in the proper way.
Because of my Italian connections--my girlfriend, Alessandra, is Italian, and I know many of the poets/writers as an extension of that--I found a home for the story on the Italian website, Etemenanki/Terranullius, run by Marco Lupo, an excellent poet and now, from what Alessandra has witnessed, a playwright of real potency; I hope to see one of his plays at some point, preferably when I know the language better, of course.
;-)
Here's the link to the story, just under 2000 words of me working the words in a quirky way, something different from my usual but, then again, what is my usual? Hmmm...
Enjoy!
And here's a photo of a globe of sorts splitting open, which works well with some of the imagery in the story.
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